Figures quoted by China Daily show that publishers in China are benefiting from 300m users of mobile devices who read electronic books. The market is up 25% year on year and reached $1.7 billion in sales last year. Read more
Some sensational figures have just been released showing the trend towards book sales in print form as opposed to ebook is continuing, as sales of consumer ebooks in the UK dropped by a whopping 17%. These figures exclude self-published titles, which have contributed a large proportion of the ebook sales. But more than 50% of genre sales are now reckoned to be in ebook form. Read more
The successful growth of new British publisher Head of Zeus shows how an international approach to publishing can put a business in a strong position through challenging the traditional approach to publishing markets. Read more
Nielsen has just reported that ebook sales in the US declined a rather surprising 15% in 2016, as compared with 2015. There seem to have been two reasons for this. Read more
Amongst the predictions springing up as we move into the new year, a hard figure is the most astonishing. The slowing-down of ebook sales is well-documented but it is quite startling that the first figure of 2017 is that the UK print market sold 195 million books in 2016, an increase of almost 7% on 2015, and volume increased by 4.5%. Read more
Ebook sales plunged in October 2015, with adult books dropping 22% in one month, compared to children's ebooks which went down a whopping 44.7%. As we've discussed elsewhere, the children's market has a strong preference for print books, with both parents and children preferring them. Read more
Latest figures from the States suggest that readers are not parting with their print books, in spite of the growth in ebook sales, which have reached $8.5 billion in value worldwide. In the US the figures show that 23% of all male adult readers and 33% of females ones read ebooks. Read more
A new Mintel survey this week shows that ebook fans are increasing their reading because ebooks are cheaper. These UK figures show that 26% of consumers who have bought an e-book in the last year are reading more than they used to because e-books cost less than paperbacks, a figure that rises to 38% of 16 to 24-year-olds. Read more
Recent figures from Bowker in the US show a startling plunge in the number of titles printed print-on-demand by 46% year-on-year. Even more surprising perhaps is that this decline is not part of the major shift from print titles to ebooks, as the overall print figures declined by only 1.6%. Read more
‘One person writing in a quiet room, trying to connect with another person, reading in another quiet-or maybe not so quiet-room. Stories can entertain, sometimes teach or argue a point. But for me the essential thing is that they communicate feelings. That they appeal to what we share as human beings across our borders and divides.
A report has found that more than half of children's books published in the last decade with a minoritised ethnic main character were by white authors and illustrators.
The book industry has launched an open letter calling on the government to create a plan to boost reading for pleasure for children across the UK. The letter invited the Prime Minister "to make a cross-government commitment to prioritise the role of reading for pleasure for children", investing in the development of children and the future of the country.
Author Katherine Rundell and Claire Wilson, president of the Association of Authors' AgentsThe association of UK agents. Their website (http://www.agentsassoc.co.uk/index.html) gives a Directory of Members and a code of practice, but no information about the agencies other than their names. The association refers visitors to the UK agent listings from The Writers' & Artists' Yearbook on the WritersServices site. (AAA), have signed the open letter launched by the book industry, calling on the Prime Minister to address the decline in reading for pleasure among children.
‘The first thing you must remember: An editor does not add to a book. At best he serves as a handmaiden to an author. Don't ever get to feeling important about yourself, because an editor at most releases energy. He creates nothing.'