At this week's conference of the Independent Publishers' Guild, Jo Forshaw talked about the way in which the audio market is opening up, beginning to provide a challenge to ebooks. Read more
The question of funding for literary fiction has been in the news recently and has attracted a range of different views, ranging from the feeling that literary publishers need this subsidy to be able to carry on, to Tim Lott's feeling that literary writers have lost the plot (literally). Read more
There's great concern about pirating of books and it's just been revealed by the UK online copyright infringement tracker survey that 17% of books read online have been pirated. Bestselling American fantasy author Maggie Stiefvater reports how her publishers reduced the print run of her next book because of the drop in sales caused by pirating. Read more
New copyright law in Canada has been described as a disaster that can spread, with dire effects for authors and publishers alike. Considerable concern was expressed in a panel at the Frankfurt Book FairWorld's largest trade fair for books; held annually mid-October at Frankfurt Trade Fair, Germany; First three days exclusively for trade visitors; general public can attend last two. about the effect of the changes to the law, the consequences of which are already apparent. Read more
Can this be true? A recent study quoted in Bookbrunch claims that 52% of UK adults believe they have a book in them. And, according to the old adage, that's where it should stay. Read more
The announcement of the winner of the Man Booker International Prize this week highlights again the growing importance of literary prizes in the international book world. Read more
In the annual jamboree which is the annual Sunday Times Rich List three children's authors have featured for the first time. In another first from across the world, British authors have achieved Public Lending Right on ebooks. Read more
In a week when we're glad to publish Sandeep Khan Mishra's list of 36 magazines which reply within a week, it's also fair to consider the question of how much writers have to pay to make submissions, especially when so many of them are rejected. Read more
The recent death of Colin Dexter has produced plaudits from fellow-authors and editors alike. In the UK he was one of our best-loved crime writers inspiring a uniquely affectionate response amongst readers and the publishing world alike.
Quoted in Bookbrunch, fellow crime writer Peter James praised him highly: Read more
A generally buoyant picture has emerged from the London Book Fair, which showed an international publishing business in relatively good shape and double-digit growth in the all-important number of pre-registered visitors to the Fair. The mood of optimism was stoked by the low pound and several new developments. Read more
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more
Open to unpublished and unagented writers from around the world.
No entry fee
Prize:
Prize of £3,000; publication with Tortoise Media; literary representation by RCW literary agent Laurence Laluyaux and other prizes
Fern Press and How to Academy have partnered on a new essay award worth £3,000, in association with Tortoise Media, for unpublished authors.
Fern Press was launched by Vintage last year, while the annual non-fiction essay prize is "for those working at the frontier of creativity and thought", organisers said. Read more
It's not a pretty word, 'blurb'; it smacks of nonsense, or slightly less than entirely honest marketing. Which is unfortunate, because a blurb is a useful and necessary thing; without it, your book is at risk of being a blank text, what you might call a closed book. Read more
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there"... Writing in lockdown, 'So that was a bit of freedom in a way, I didn't have any expectations almost.
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there". Read more
Waterstones managing director James Daunt said social media is reinforcing the reading of "proper" paper books among young people.
Mr Daunt, who is also chief executive of Barnes & Noble, said social media trends such as 'BookTok' on TikTok had been "hugely positive", as he was made a CBE for his services to publishing by the Princess Royal.
A new generation of romance novel consumers has moved a long-standing three-way conversation between reader, writer and publisher onto social media, industry insiders say, speeding up an already fast-moving segment of the publishing world.
When you are next visiting a bookstore, and find your way to the children's section, you might be forgiven for thinking that there is no longer such a thing as a children's author. Instead, you will be ambushed by piles of books blazoned with the names of actors, singers, comedians, DJs and people who generously exhibit themselves on social media.
A federal judge in California this week dismissed four of six claims made by authors in a now consolidated lawsuit alleging that Open AI infringes their copyrights. But the court gave the authors a month to amend their complaint, and the suit's core claim of direct infringement-which Open AI did not seek to dismiss-remains active.
For budding authors, the submissions process can be daunting. For anyone with little understanding of the publishing industry and how it works, it can be even more so. And for anyone whose writing sits outside of the established ideas of genre, style or content, it can be utterly baffling as to how to present that to an agent or publisher.
'New media and new forms of buying and lending are all very interesting, for all kinds of reasons, but one principle remains unchanged: authors must be paid fairly for their work. Any arrangement that doesn't acknowledge that principle is a bad one, and needs to be changed. That is our whole argument.'
Children's creativity
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more