At this week's conference of the Independent Publishers' Guild, Jo Forshaw talked about the way in which the audio market is opening up, beginning to provide a challenge to ebooks. Read more
A generally buoyant picture has emerged from the London Book Fair, which showed an international publishing business in relatively good shape and double-digit growth in the all-important number of pre-registered visitors to the Fair. The mood of optimism was stoked by the low pound and several new developments. Read more
The successful growth of new British publisher Head of Zeus shows how an international approach to publishing can put a business in a strong position through challenging the traditional approach to publishing markets. Read more
Some nervousness has been expressed by authors and staff in the last few days about the impending purchase by Bertelsmann of part of the Pearson share of Penguin Random House, but is there really much reason to feel anxious about this? Read more
The first major publishing news of the New Year has been the announcement that Pearson, having declared a profit warning because of change and volatility in the educational market and declining sales in higher education, is intending to offload its 47% stake in Penguin Random House - and its partner Bertelsmann is keen to acquire it. Read more
The changes digitisation has brought about in the agent's role are substantial but one of the unchanging things about getting an agent is that developments in the publishing world have made remarkably little difference to it - it's as difficult as ever, some would say more so. Read more
So, another London Book Fair has come and gone. Our links this week include some interesting stories about the Fair but the main thing seems to be that this was a lively and confident affair, with publishers from all over the world bullish and ready to do business. Read more
Independent London publishing house Atlantic has recently had a new managing director, Will Atkinson. He put forward the company's publishing philosophy very clearly in an article for Bookbrunch, which sadly is behind their paywall. It is possible however to quote what he says in his article, ‘Publishing culture and commerce': Read more
The Authors' Licensing and Collecting Society (ALCS) has described Artificial Intelligence (AI) company Anthropic's alleged use of "pirated books" to train AI chatbot Claude as "egregious" and "typical of a wider trend."
‘You can offend somebody in the 21st century with something you said in 1970... By the end of the process I was questioning myself, that was the problem. I wrote innocently and I wrote to make people laugh but when I read the book through I thought, gosh, really, is this offensive? And that? And that? Am I all these things?
Index on Censorship said 53% of librarians polled had been asked to remove books - and that in more than half of those cases books were taken off shelves
One of the persistent themes to emerge from the ongoing nationwide surge in book banning is that the bans are being pursued by a vocal, politically motivated minority. Read more
The New Zealand author channelled her experience of tragedy and mental illness with dazzling results. Now centenary celebrations will ensure her extraordinary vision lives on
Writing and publishing a nonfiction book is a big investment-of time, energy, and often money. In our work with authors, we find that people often approach the process with passion and ambition but without any sense of what it really takes to get the attention of an agent or editor, especially in today's crowded market. That's why we've created these five ways to test your book idea. Read more
In a spirited five-day celebration, held August 8-12 at the Scottish Events Campus in Glasgow, Scotland, crowds converged from all over the globe for the 82nd World Science Fiction Convention, known as Worldcon. Show organizers said that more than 8,000 membership badges were purchased in total, with over 7,200 issued at the venue and upwards of 600 in attendance online.
'I'm always on the lookout for stories that are escapist and inclusive; that carve out a space for all readers. As an editor, ensuring representation for all in the truest and most authentic way is something I am always working towards'