Figures quoted by China Daily show that publishers in China are benefiting from 300m users of mobile devices who read electronic books. The market is up 25% year on year and reached $1.7 billion in sales last year. Read more
Some sensational figures have just been released showing the trend towards book sales in print form as opposed to ebook is continuing, as sales of consumer ebooks in the UK dropped by a whopping 17%. These figures exclude self-published titles, which have contributed a large proportion of the ebook sales. But more than 50% of genre sales are now reckoned to be in ebook form. Read more
Nielsen has just reported that ebook sales in the US declined a rather surprising 15% in 2016, as compared with 2015. There seem to have been two reasons for this. Read more
Amongst the predictions springing up as we move into the new year, a hard figure is the most astonishing. The slowing-down of ebook sales is well-documented but it is quite startling that the first figure of 2017 is that the UK print market sold 195 million books in 2016, an increase of almost 7% on 2015, and volume increased by 4.5%. Read more
Ebook sales plunged in October 2015, with adult books dropping 22% in one month, compared to children's ebooks which went down a whopping 44.7%. As we've discussed elsewhere, the children's market has a strong preference for print books, with both parents and children preferring them. Read more
This week has yielded some rather unexpected figures from both sides of the Atlantic relating to ebook sales. In the States it looks as if ebook sales are in decline, whereas in the UK there's also a tempering in projections of ebook growth. Read more
Ebook sales growth in the UK seems to be flattening this year. A recent Bowker study showed that digital is taking a much greater proportion of the fiction market than of narrative non-fiction, as in the US. Read more
Amazon's fourth quarter results have just come in $1 billion (£632,62m) short of analysts' expectations, but because of a 55% increase in operating income to $405m (£256m), shares rose 6%. Read more
At last there's some hard information on ebook sales in the UK and an interesting indication of future trends in the US. The Bookseller has managed to put together some ebook sales figures which show that ebook sales in the UK are currently worth around £250m. Read more
Recent figures from Bowker show self-publishing continuing its rapid growth in the US. The number of self-published books coming out has nearly tripled since 2006, with 235,625 new print and ebook titles published in 2011. Read more
'Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world.
Here is how platforms die: First, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die.
Agents have predicted continued demand in 2023 for feel-good stories as well as a romance and ‘romantasy' boom thanks to TikTok but say there could be a shift this year towards darker, genre-busting and challenging books.
When I pitched One Woman's War: A Novel of the Real Miss Moneypenny in October 2020, I had no idea that Operation Mincemeat, a movie about the same subject matter, would be released in early 2022, just a few months before One Woman's War was due out.
In a sense, every detective novel is about the inside of someone's head. What immediately captures the reader at the beginning of a Sherlock Holmes story is the tick-tock of Holmes mind: what brilliance will he conjure next, what detail will he pull out of an ordinary scene, who is this guy?
Both Romance & Sagas and Sci-Fi & Fantasy had banner years, with Romance's £53m its best since 2012, the year of E L James and Fifty Shades, and Sci-Fi & Fantasy's £47m its highest since 2007. Colleen Hoover's It Ends with Us was the overall bestseller of the year, with four other Hoover titles in the top 10. Read more
Mystery readers savor the hallmarks of their preferred subgenres of crime fiction. To meet their expectations, the savvy mystery author should choose their words wisely. Authors must deliver the expected violence level, the appropriate sleuth qualifications, the correct level of police involvement, a vibrant setting, a compelling whodunnit, and a satisfying resolution.
Everybody wants a good climax, especially when it comes to storytelling. That's why, today, we'll answer the question- what is a story climax? We'll also talk about the types of story climaxes, climaxes versus other story elements, look at some examples, and discuss how to write a compelling story climax. So, let's get started!
"Why isn't there more sex in your books?" I get this question a lot. In my DMs. In my email. In Zoom book club meetings, bookstore signings, and festival events. This, more than any other, seems to be the question my enthusiastic (and apparently thirsty) fans are burning to ask. Written inquiries are usually punctuated with fire emojis, or more commonly, a string of bright red chili peppers. Read more
I write dark fantasy stories for adults that explore survival after sexual trauma and war. My work focuses on the aftermath of sexual violence and the way my protagonists stubbornly live well after the unthinkable. There are no on-page depictions of SA in my work. Read more
I write a historical fiction series set in World War Two London. My protagonist is a Scotland Yard detective called Frank Merlin. I place great importance on being historically accurate in my books. I take the view that as I am attempting to transport my readers to a very different time and place, accuracy is a key element to doing that successfully. Read more
Booksellers report that more customers are switching to paperbacks as household budgets tighten, with agents and publishers also predicting a shift towards the cheaper format. Read more