Amazon's latest figures are astounding and cement its dominance of the book business, particularly self-publishing, as well as the huge inroads it is making in many other areas. Read more
Coming from the tech arena is a fairly hostile view of traditional publishing, which assumes that it is dead and will shortly be totally replaced by indie publishing. But is this really what is happening at present? It doesn't seem so clear-cut. Read more
Amongst the predictions springing up as we move into the new year, a hard figure is the most astonishing. The slowing-down of ebook sales is well-documented but it is quite startling that the first figure of 2017 is that the UK print market sold 195 million books in 2016, an increase of almost 7% on 2015, and volume increased by 4.5%. Read more
The question of how to price ebooks is still of great concern to indie authors and to publishers alike, and recent research from Good e-Reader reveals that readers are prepared to pay disappointingly little. Over the last two months they asked 553 Americans how much they were prepared to pay for a new e-book and the results are sobering. Read more
So what can we say that's positive about the big changes in the situation for authors over the last few years? It's really a matter of the way writers now have the opportunity to get out there and shape their own destiny. Read more
There's been a lot of discussion recently about how things have changed for writers over the last few years. In some ways it's a radically different picture, in others not so much so. Read more
The growth in self-published books reported last week comes from Amazon, whose DIY print business CreateSpace has become far and away the biggest self-publishing platform in the United States. In a week when the Association of American PublishersThe national trade association of the American book publishing industry; AAP has more than 300 members, including most of the major commercial publishers in the United States, as well as smaller and non-profit publishers, university presses and scholarly societies reported major declines in sales of trade books, there's also been talk about whether depressed digital sales are hurting Amazon. Read more
Bowker has published a huge report on self-publishing in the US and, although the detailed figures are rather dry, some of the conclusions are quite explosive in their picture of a rapidly growing self-publishing scene. And where America goes, other countries tend to follow, although not at a uniform speed. Read more
There was a time when the main concern of writers coming to the site was how to find a publisher. That's when series such as Inside Publishing were created in order to answer the demand for information about publishing, so that writers could find out about what actually went on behind the scenes. Read more
The battle rages on about whether self-publishing or traditional publishing is best from the author's point of view and it all seems to come down to your own experience. If you're happily settled with a publisher and content with what they're doing for you, then of course you'll advocate that. Read more
"Why isn't there more sex in your books?" I get this question a lot. In my DMs. In my email. In Zoom book club meetings, bookstore signings, and festival events. This, more than any other, seems to be the question my enthusiastic (and apparently thirsty) fans are burning to ask. Written inquiries are usually punctuated with fire emojis, or more commonly, a string of bright red chili peppers. Read more
I write dark fantasy stories for adults that explore survival after sexual trauma and war. My work focuses on the aftermath of sexual violence and the way my protagonists stubbornly live well after the unthinkable. There are no on-page depictions of SA in my work. Read more
I write a historical fiction series set in World War Two London. My protagonist is a Scotland Yard detective called Frank Merlin. I place great importance on being historically accurate in my books. I take the view that as I am attempting to transport my readers to a very different time and place, accuracy is a key element to doing that successfully. Read more
Booksellers report that more customers are switching to paperbacks as household budgets tighten, with agents and publishers also predicting a shift towards the cheaper format. Read more
A decade ago fiction was said to be migrating to digital-but in 2022 adult fiction sales were £164m greater than its 2014 low, propelling the market to a strong total in the past 12 months.
HarperCollins, which laid off a "small number" of workers last fall, is taking more drastic steps to reduce its workforce, and plans to cut 5% of its employees in North America by the end of the current fiscal year, which ends June 30. Some jobs were eliminated today.
For the first time since 2019, Nielsen was able to report data for the full year-and it seems most publishers have been reaping the reward of a bountiful few years, with a number posting all-time highs.
The backlist boom which surged during the pandemic continued with a mighty push from TikTok in 2022, as nearly two-thirds (£1.19bn) of Nielsen BookScan revenue last year came from editions published in 2021. This is the second-highest share of revenue for a TCM 12-month period coming from titles released prior to the beginning of that year.
'Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world. Read more
'By the time I am nearing the end of a story, the first part will have been reread and altered and corrected at least one hundred and fifty times. I am suspicious of both facility and speed. Good writing is essentially rewriting. I am positive of this.'
Culture is a slippery concept; it's one of those terms we all know the meaning of until we actually think about it. For the writer, culture can be a two-edged sword: ignore it and your story lacks depth, colour and context; focus too much on it and you risk bamboozling - or worse, boring - your reader into putting the book down. Read more
Unpublished authors 18 years old or over resident in the UK.
Entry fee £8
Prize:
Book contract with HQ with advance of £7,500 and agent representation
The Primadonna Prize for unsigned and un-agented authors will, for the first time, offer the winner a book contract with HQ with an advance of £7,500 for world English rights. Read more
'Go for broke'
'Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world. Read more