Amazon's latest figures are astounding and cement its dominance of the book business, particularly self-publishing, as well as the huge inroads it is making in many other areas. Read more
Coming from the tech arena is a fairly hostile view of traditional publishing, which assumes that it is dead and will shortly be totally replaced by indie publishing. But is this really what is happening at present? It doesn't seem so clear-cut. Read more
Amongst the predictions springing up as we move into the new year, a hard figure is the most astonishing. The slowing-down of ebook sales is well-documented but it is quite startling that the first figure of 2017 is that the UK print market sold 195 million books in 2016, an increase of almost 7% on 2015, and volume increased by 4.5%. Read more
The question of how to price ebooks is still of great concern to indie authors and to publishers alike, and recent research from Good e-Reader reveals that readers are prepared to pay disappointingly little. Over the last two months they asked 553 Americans how much they were prepared to pay for a new e-book and the results are sobering. Read more
So what can we say that's positive about the big changes in the situation for authors over the last few years? It's really a matter of the way writers now have the opportunity to get out there and shape their own destiny. Read more
There's been a lot of discussion recently about how things have changed for writers over the last few years. In some ways it's a radically different picture, in others not so much so. Read more
The growth in self-published books reported last week comes from Amazon, whose DIY print business CreateSpace has become far and away the biggest self-publishing platform in the United States. In a week when the Association of American PublishersThe national trade association of the American book publishing industry; AAP has more than 300 members, including most of the major commercial publishers in the United States, as well as smaller and non-profit publishers, university presses and scholarly societies reported major declines in sales of trade books, there's also been talk about whether depressed digital sales are hurting Amazon. Read more
Bowker has published a huge report on self-publishing in the US and, although the detailed figures are rather dry, some of the conclusions are quite explosive in their picture of a rapidly growing self-publishing scene. And where America goes, other countries tend to follow, although not at a uniform speed. Read more
There was a time when the main concern of writers coming to the site was how to find a publisher. That's when series such as Inside Publishing were created in order to answer the demand for information about publishing, so that writers could find out about what actually went on behind the scenes. Read more
The battle rages on about whether self-publishing or traditional publishing is best from the author's point of view and it all seems to come down to your own experience. If you're happily settled with a publisher and content with what they're doing for you, then of course you'll advocate that. Read more
'We've only been publishing for three years, having started just before the pandemic did... The digital vision we had formulated was vindicated and validated by the pandemic - but that doesn't mean it's not still relevant. As we grow, we're doing a bit more print, but we'll continue to adapt and survive.
In 2017, we learned that Eleanor Oliphant was completely fine. As you may recall, there was a bestselling novel all about it, titled, appropriately enough, Eleanor Oliphant Is Completely Fine. Soon, a wave of syntactically similar book titles followed, all involving simple sentences containing the female protagonist's name: Evvie Drake started over. Florence Adler swam forever. Read more
Kate Clanchy's memoir about teaching won the Orwell prize. Then, a year later, it became the centre of a storm that would engulf the lives of the author, her critics and dozens of people in the book trade. So what happened?
Writers buy plotting books by the dozen and do their best to create the plottiest plot that the world has ever seen. They stuff their novels with action-packed sword fights, explosions, fist fights, and screaming matches. Plot points, pinch points, and grandiose climaxes abound. Read more
In my 15 years of teaching English to hundreds of children in various parts of England, there are four books that have been on the curriculum in every school I have found myself in, with no exception: Of Mice and Men by John Steinbeck, Animal Farm by George Orwell, An Inspector Calls by JB Priestley and Private Peaceful by Michael Morpurgo. Read more
The Booker prize-winning author Bernardine Evaristo says she fears that publishers' interest in black authors may be only a "trend or fashion" that could wane unless the business becomes more diverse. Read more
Waterstones Children's Laureate Cressida Cowell has revealed the "transformative" impact on the pilot primary schools taking part in her "Life-changing Libraries" initiative, including an increase in a love of reading, motivation towards learning, well-being and feelings of self-worth. Read more
Every writer has had it drilled into them at some point. It's one of the most familiar bits of writing advice there is: "Write what you know." And it makes so much sense-it worked for John Grisham and Kathy Reichs, right?
Another May has come and gone without BookExpo or any other in-person, industrywide spring show taking its place. As the pandemic eases, more and more publishing and publishing-related conferences, meetings, and fairs are moving from online-only events to either in-person or hybrid affairs. Read more
Meanwhile, I was working on my column for Publishers WeeklyInternational news website of book publishing and bookselling including business news, reviews, bestseller lists, commentaries http://www.publishersweekly.com/. The theme: influencing readers-beyond BookTok. I certainly didn't expect to find a point of intersection with these two shows. Did I? Bear with me.
'One of my standard - and fairly true - responses to the question as to how story ideas come to me is that story ideas only come to me for short stories. With longer fiction, it is a character (or characters) coming to visit, and I am then obliged to collaborate with him/her/it/them in creating the story.'