Can this be true? A recent study quoted in Bookbrunch claims that 52% of UK adults believe they have a book in them. And, according to the old adage, that's where it should stay. Read more
In a very visible case, highly successful Australian author Kate Morton has accused the agent who kick-started her career of favouring her own interests. Morton is seeking a refund of up to $2.8 million paid to her agent in commission. Read more
The number of emails WritersServices get from authors who have been trying to contact an agent through our agency listings suggests that, even in an age of self-publishing, many writers would still prefer to find an agent than to self-publish their own work. But what exactly does an agent do? Read more
The changes digitisation has brought about in the agent's role are substantial but one of the unchanging things about getting an agent is that developments in the publishing world have made remarkably little difference to it - it's as difficult as ever, some would say more so. Read more
Beyond the changes we discussed in last week's News Review, The changing role of the agent, there are several other trends emerging - the increasingly editorial role of agencies, the spread of support areas and other opportunities for writers' work and the ever more international approach agents take to selling their clients' work. Read more
A recent interview with Sheila Crowley in Bookbrunch threw an interesting light on changing patterns of agenting. She is a wonderfully enthusiastic agent at Curtis BrownSee Curtis Brown listing London, who prior to being an agent worked in publishing sales and marketing, so she is noted for her strong sales approach. Read more
In our links this week we've teamed up a cosy story about finding an agent with a downbeat one about how publisher consolidation and focus on obvious big books is restricting authors' possibilities. If you are looking to get published traditionally, this is not a cheery situation. Read more
Lizzie Kremer's amusing article about being a nerd, which we link to this week, disguises a greater truth about agents, which is that behind the showmanship and flair that many of the better-known and possibly more successful ones show there is a great deal of attention paid to the detail of their clients' affairs, particularly their royalty statements and subsi Read more
Creative writing courses continue to proliferate on both sides of the Atlantic .Many writers believe that enrolling on a course, particularly a university one, will make all the difference to their writing careers. Read more
'We've only been publishing for three years, having started just before the pandemic did... The digital vision we had formulated was vindicated and validated by the pandemic - but that doesn't mean it's not still relevant. As we grow, we're doing a bit more print, but we'll continue to adapt and survive.
In 2017, we learned that Eleanor Oliphant was completely fine. As you may recall, there was a bestselling novel all about it, titled, appropriately enough, Eleanor Oliphant Is Completely Fine. Soon, a wave of syntactically similar book titles followed, all involving simple sentences containing the female protagonist's name: Evvie Drake started over. Florence Adler swam forever. Read more
Kate Clanchy's memoir about teaching won the Orwell prize. Then, a year later, it became the centre of a storm that would engulf the lives of the author, her critics and dozens of people in the book trade. So what happened?
Writers buy plotting books by the dozen and do their best to create the plottiest plot that the world has ever seen. They stuff their novels with action-packed sword fights, explosions, fist fights, and screaming matches. Plot points, pinch points, and grandiose climaxes abound. Read more
In my 15 years of teaching English to hundreds of children in various parts of England, there are four books that have been on the curriculum in every school I have found myself in, with no exception: Of Mice and Men by John Steinbeck, Animal Farm by George Orwell, An Inspector Calls by JB Priestley and Private Peaceful by Michael Morpurgo. Read more
The Booker prize-winning author Bernardine Evaristo says she fears that publishers' interest in black authors may be only a "trend or fashion" that could wane unless the business becomes more diverse. Read more
Waterstones Children's Laureate Cressida Cowell has revealed the "transformative" impact on the pilot primary schools taking part in her "Life-changing Libraries" initiative, including an increase in a love of reading, motivation towards learning, well-being and feelings of self-worth. Read more
Every writer has had it drilled into them at some point. It's one of the most familiar bits of writing advice there is: "Write what you know." And it makes so much sense-it worked for John Grisham and Kathy Reichs, right?
Another May has come and gone without BookExpo or any other in-person, industrywide spring show taking its place. As the pandemic eases, more and more publishing and publishing-related conferences, meetings, and fairs are moving from online-only events to either in-person or hybrid affairs. Read more
Meanwhile, I was working on my column for Publishers WeeklyInternational news website of book publishing and bookselling including business news, reviews, bestseller lists, commentaries http://www.publishersweekly.com/. The theme: influencing readers-beyond BookTok. I certainly didn't expect to find a point of intersection with these two shows. Did I? Bear with me.
'Each writer is born with a repertory company in his head. Shakespeare has perhaps 20 players. I have 10 or so, and that's a lot. As you get older, you become more skillful at casting them.'