Creative writing courses continue to proliferate on both sides of the Atlantic .Many writers believe that enrolling on a course, particularly a university one, will make all the difference to their writing careers. Read more
Following on from Hanif Kureishi's attack on creative writing courses this week, this old chestnut of a question has turned up again. Kureishi has dismissed creative writing courses as "a waste of time" and said he would never have gone on one himself, despite the fact that he currently teaches a writing course at Kingston University. Read more
The announcement that 50% of London agency Conville & WalshSee Conville & Walsh listing has been bought by Curtis BrownSee Curtis Brown listing UK is the latest news in the consolidation which is going on amongst literary agents. This purchase brings a successful smaller agency into a bigger one which has not perhaps been so dynamic. Read more
The big questions about creative writing courses still remain, although there's no doubt about their popularity, nor that the universities and colleges see them as real money-spinners. There are now a huge number of writing courses in America - no less that 1,000 - and, after a slower start, about 100 postgraduate courses in the UK catering for the creative writing student. Read more
An interesting study published recently in the US suggests that writers are at greater risk of depression than most other occupations. The study puts artists and writers among the most vulnerable of professionals, alongside other "at risk" jobs including care workers, teachers, social workers, maintenance staff and salespeople. Read more
Can creative writing courses really open up the world of writing to the students who pay heavily for the privilege of taking them? As students begin the return to college or university across the northern hemisphere, this seems a good time to examine whether or not creative writing courses earn their keep. Read more
The staggering number of 285,000 new titles and editions were self-published and published by community presses in the US last year, balanced against a slightly lower figure of 275,000 coming from traditional publishing houses. Read more
So are agents really feeling the pinch now? Long regarded as the fats cats of the industry, there are signs that the London agency constituency is really beginning to join in the pain. You cannot escape the conclusion that there will be redundancies, closures and mergers of agencies. Independent agents have few enough overheads in any case and will cut back on the new authors they take on. Read more
It didn't seem a slow news week, but the amount of coverage which has been given to the sale of Cormac McCarthy's typewriter in the last few days has been truly astonishing. The American writer bought the machine, an Olivetti Lettera 31, from a pawnshop for $50 (£30) in 1963. Read more
Submission guidelines: BIO (By Invitation Only). Authors can get in touch via email with a synopsis of between 500 - 1,000 words. Authors should then only send in manuscripts if invited to do so. Hard copy manuscripts sent in without invitation will not be read. Read more
'Over the past 20 years, some of the best novels written, as it were, or writing that serves the function of a novel, have been on Netflix and HBO. The writing is complicated, the plotting is complicated. It has subtext, and people are really responding to it in a way that, unfortunately, is not happening with books...
I have a small confession to make: I've never been told I need to cut words from my manuscripts. In fact, I'm the author envious of anyone who needs to do so because I'm the one struggling to get my manuscript up to my target word count. And for a long time, I feared I was the only writer with this issue. Read more
Alice Hoffman, author of numerous adult and young adult books including Practical Magic and Aquamarine, has a new middle grade book, When We Flew Away, a historically based imagining of Anne Frank's life before the family was forced into hiding. Young Anne is grappling with her developing identity within her family and community, at times blissfully happy and others deeply contemplative. Read more
In 2007, after my manuscript had been rejected for the 44th time, a colleague offered to introduce me to a published novelist. It turned out to be Mantel - and I was fortunate enough to soak up her wisdom for the next 15 years
My debut psychological suspense novel, The Bookseller, sold to Harper in 2013 in a pre-empt. I'm not going to lie-it was an amazing deal. The type of deal that compelled me to ask my husband, when I called to break the news, "Are you sitting down?"
'You might as well ask an artist to explain his art, or ask a poet to explain his poem. It defeats the purpose. The meaning is only clear through the search.'