Creative writing courses continue to proliferate on both sides of the Atlantic .Many writers believe that enrolling on a course, particularly a university one, will make all the difference to their writing careers. Read more
Following on from Hanif Kureishi's attack on creative writing courses this week, this old chestnut of a question has turned up again. Kureishi has dismissed creative writing courses as "a waste of time" and said he would never have gone on one himself, despite the fact that he currently teaches a writing course at Kingston University. Read more
The announcement that 50% of London agency Conville & WalshSee Conville & Walsh listing has been bought by Curtis BrownSee Curtis Brown listing UK is the latest news in the consolidation which is going on amongst literary agents. This purchase brings a successful smaller agency into a bigger one which has not perhaps been so dynamic. Read more
The big questions about creative writing courses still remain, although there's no doubt about their popularity, nor that the universities and colleges see them as real money-spinners. There are now a huge number of writing courses in America - no less that 1,000 - and, after a slower start, about 100 postgraduate courses in the UK catering for the creative writing student. Read more
An interesting study published recently in the US suggests that writers are at greater risk of depression than most other occupations. The study puts artists and writers among the most vulnerable of professionals, alongside other "at risk" jobs including care workers, teachers, social workers, maintenance staff and salespeople. Read more
Can creative writing courses really open up the world of writing to the students who pay heavily for the privilege of taking them? As students begin the return to college or university across the northern hemisphere, this seems a good time to examine whether or not creative writing courses earn their keep. Read more
The staggering number of 285,000 new titles and editions were self-published and published by community presses in the US last year, balanced against a slightly lower figure of 275,000 coming from traditional publishing houses. Read more
So are agents really feeling the pinch now? Long regarded as the fats cats of the industry, there are signs that the London agency constituency is really beginning to join in the pain. You cannot escape the conclusion that there will be redundancies, closures and mergers of agencies. Independent agents have few enough overheads in any case and will cut back on the new authors they take on. Read more
It didn't seem a slow news week, but the amount of coverage which has been given to the sale of Cormac McCarthy's typewriter in the last few days has been truly astonishing. The American writer bought the machine, an Olivetti Lettera 31, from a pawnshop for $50 (£30) in 1963. Read more
‘Poetry is definitely having a renaissance. There's been a real sea-change in terms of how it's seen, especially in lockdown. Poetry is the perfectly transportable art form. Owning a book is all you need to experience it. Poetry doesn't necessarily give us the answers, but it does give us the tools to think with and helps us process issues.
"If you would be a poet," Lawrence Ferlinghetti, a man who would know, wrote in 2007, "create works capable of answering the challenge of apocalyptic times, even if it means sounding apocalyptic...."
A few years ago at a Radcliffe Institute exhibit, I came across photos of a draft of what would become Angela Davis' autobiography. A foundational Black literary text, bare-boned and vulnerable, is not something you often get to see. The manuscript bloomed with the strokes of a blue pen, notes from the editor on what needed to be changed. Read more
In early February, after a month of lockdown, William Sutcliffe wrote on Twitter: "I have been a professional writer for more than twenty years. I have made my living from the resource of my imagination. Last night I had a dream about unloading the dishwasher." Read more
Sales of print books continued to ride a hot streak into February with units jumping 25.7% in the first week of the month over the first week of February 2020 at outlets that report to NPD BookScan. The increase was the highest yet this year, and unit sales of print books were up 22.1% through February 6, 2021.
Even if-as per my last essay for Lit Hub-we know how to read, there remains the equally vexed question of what we should read. If the 21st century is notable for anything much at all when it comes to literature-and I use the term in its broadest sense, as will become clear-it's the spiking of formerly big literary guns, and the dismantling of what used to be understood as the canon. Read more
Book-to-screen deals are reported by the Hollywood trades in pieces that dutifully mention the novelists, directors and actors involved but often leave out the people who actually made it happen - the agent or manager who hooked up the players, the producer who optioned it years ago, the book scout whose secret source shared the proposal before book publishers had even seen it.
There is a new app. It distills books, both classics and modern bestsellers, into brief, accessible summaries. You can listen to audio versions of summaries, or read them on your phone. The app is called Instaread-or it's called Blinkist, or it's called GetAbstract or Joosr or 12Min or StoryShots or SumizeIt or CatchUp. Read more
When Sarah Pinborough's thriller Behind Her Eyes was published in 2017, even she described it as a "Marmite book". Her publisher slapped on equally dire warnings, hyping it with the hashtag #WTFthatending.
'Remember: when people tell you something's wrong or doesn't work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.'
'Exercise the writing muscle every day, even if it is only a letter, notes, a title list, a character sketch, a journal entry. Writers are like dancers, like athletes. Without that exercise, the muscles seize up.'