Creative writing courses continue to proliferate on both sides of the Atlantic .Many writers believe that enrolling on a course, particularly a university one, will make all the difference to their writing careers. Read more
Following on from Hanif Kureishi's attack on creative writing courses this week, this old chestnut of a question has turned up again. Kureishi has dismissed creative writing courses as "a waste of time" and said he would never have gone on one himself, despite the fact that he currently teaches a writing course at Kingston University. Read more
The announcement that 50% of London agency Conville & WalshSee Conville & Walsh listing has been bought by Curtis BrownSee Curtis Brown listing UK is the latest news in the consolidation which is going on amongst literary agents. This purchase brings a successful smaller agency into a bigger one which has not perhaps been so dynamic. Read more
The big questions about creative writing courses still remain, although there's no doubt about their popularity, nor that the universities and colleges see them as real money-spinners. There are now a huge number of writing courses in America - no less that 1,000 - and, after a slower start, about 100 postgraduate courses in the UK catering for the creative writing student. Read more
An interesting study published recently in the US suggests that writers are at greater risk of depression than most other occupations. The study puts artists and writers among the most vulnerable of professionals, alongside other "at risk" jobs including care workers, teachers, social workers, maintenance staff and salespeople. Read more
Can creative writing courses really open up the world of writing to the students who pay heavily for the privilege of taking them? As students begin the return to college or university across the northern hemisphere, this seems a good time to examine whether or not creative writing courses earn their keep. Read more
The staggering number of 285,000 new titles and editions were self-published and published by community presses in the US last year, balanced against a slightly lower figure of 275,000 coming from traditional publishing houses. Read more
So are agents really feeling the pinch now? Long regarded as the fats cats of the industry, there are signs that the London agency constituency is really beginning to join in the pain. You cannot escape the conclusion that there will be redundancies, closures and mergers of agencies. Independent agents have few enough overheads in any case and will cut back on the new authors they take on. Read more
It didn't seem a slow news week, but the amount of coverage which has been given to the sale of Cormac McCarthy's typewriter in the last few days has been truly astonishing. The American writer bought the machine, an Olivetti Lettera 31, from a pawnshop for $50 (£30) in 1963. Read more
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more
Open to unpublished and unagented writers from around the world.
No entry fee
Prize:
Prize of £3,000; publication with Tortoise Media; literary representation by RCW literary agent Laurence Laluyaux and other prizes
Fern Press and How to Academy have partnered on a new essay award worth £3,000, in association with Tortoise Media, for unpublished authors.
Fern Press was launched by Vintage last year, while the annual non-fiction essay prize is "for those working at the frontier of creativity and thought", organisers said. Read more
It's not a pretty word, 'blurb'; it smacks of nonsense, or slightly less than entirely honest marketing. Which is unfortunate, because a blurb is a useful and necessary thing; without it, your book is at risk of being a blank text, what you might call a closed book. Read more
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there"... Writing in lockdown, 'So that was a bit of freedom in a way, I didn't have any expectations almost.
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there". Read more
Waterstones managing director James Daunt said social media is reinforcing the reading of "proper" paper books among young people.
Mr Daunt, who is also chief executive of Barnes & Noble, said social media trends such as 'BookTok' on TikTok had been "hugely positive", as he was made a CBE for his services to publishing by the Princess Royal.
A new generation of romance novel consumers has moved a long-standing three-way conversation between reader, writer and publisher onto social media, industry insiders say, speeding up an already fast-moving segment of the publishing world.
When you are next visiting a bookstore, and find your way to the children's section, you might be forgiven for thinking that there is no longer such a thing as a children's author. Instead, you will be ambushed by piles of books blazoned with the names of actors, singers, comedians, DJs and people who generously exhibit themselves on social media.
A federal judge in California this week dismissed four of six claims made by authors in a now consolidated lawsuit alleging that Open AI infringes their copyrights. But the court gave the authors a month to amend their complaint, and the suit's core claim of direct infringement-which Open AI did not seek to dismiss-remains active.
For budding authors, the submissions process can be daunting. For anyone with little understanding of the publishing industry and how it works, it can be even more so. And for anyone whose writing sits outside of the established ideas of genre, style or content, it can be utterly baffling as to how to present that to an agent or publisher.
Children's creativity
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more