The announcement of the winner of the Man Booker International Prize this week highlights again the growing importance of literary prizes in the international book world. Read more
It's a measure of the growing interest in short stories, amongst both writers and readers, that Costa launched its short story prize in 2012 and that the public is currently invited to read and listen to the shortlisted stories selected from over 1,000 entries on the Costa Book Awards website, and to take part in the public vote. Read more
This year's Booker result raises so many interesting issues that a longer report on Frankfurt, the Book Fair and other issues relating to international publishing will come next week. The links this week give a clue to the many themes that Paul Beatty's win with The Sellout has raised. Read more
Sometimes an author seems to step new-minted into bestsellerdom and, even rarer, literary acclaim. Lisa McInerney is such a writer and her winning of the Bailey Prize earlier in the month, followed by the Desmond Elliott Prize this week, marks a remarkable debut. Read more
Nick Clee asks in this week's Bookbrunch if you need to transcend a prize to win it, inspired by the Costa win by Frances Hardinge's children's book. Read more
This week's story was to have been on the rise in support for short stories, until, that is, Marlon James had his stunning Man Booker Prize win last night. Read more
The longlist for this year's Man Booker Prize is both diverse and international, with a wide range of different kinds of writers and a number of debuts. The longlist features three British writers, five US writers and one each from the Republic of Ireland, New Zealand, India, Nigeria and Jamaica. Read more
When John Spurling won the £25,000 Walter Scott Prize for Historical Fiction recently with The Ten Thousand Things it was much more than a good win against a formidable shortlist, which included Martin Amis, Helen Dunmore, Adam Foulds and Kamila Shamsie. Read more
The growth of literary prizes of one kind and another seems unending, although it's a pity from the point of view of unpublished writers that so many of them are restricted to books which have come from traditional publishers. Read more
Eimear McBride's A Girl is a Half-Formed Thing is having an extraordinary impact. Now that it's won the new Bailey Women's Prize (successor to last year's Women's Fiction Prize and the Orange Prize), there seems to be no stopping the author. Read more
'When I started writing in about 1990, publishers were very keen on the teenage market. They knew kids were spending money on music and that there were films for kids that age, but books somehow weren't quite happening. The fuss when Junk came out was because it really was a book for teenagers.
You only have to look at the extent of the global reach of the winner the day after to see what a big deal the prize has become internationally. Coverage from right round the world, all the big American media outlets, but also from across the Continent, the Far East, the southern hemisphere, the Middle East.
A Harry Potter first edition found in a Highland bookshop's bargain bucket could be worth £60,000, according to auctioneers selling it.
The hardback copy of Harry Potter and the Philosopher's Stone - the first book in JK Rowling's stories about a boy wizard - was published in 1997. Read more
How do booksellers keep up with the latest trends in a fast-changing world? It used to be simple: just read the newspaper, watch TV, or listen to the radio. But now, with the rise of social media, blogs and podcasts, booksellers need to be more alert and adaptable than ever.
In recognition of the one year anniversary of BookTok being announced as Person of the Year at The Bookseller's FutureBook conference 2022, creators reflected on another year on the platform and look ahead to 2024.
Publishing attracts people who love books, reading, and ideas. But for many Black professionals in publishing, there's a disconnect between the love of the medium and their work experiences, which can be rife with isolation, exclusion, and stalled routes to leadership.
The UK books market's volume sales this autumn have slid 8% compared with 2022 with value down a shallower 1%, as almost all the big brands including Jamie Oliver, David Walliams and even Richard Osman have been suffering a contraction in their Christmas run-in hardback releases.
Benjamin Franklin once wrote to the Royal Society of London: "I have already made this paper too long, for which I must crave pardon, not having now time to make it shorter." Read more
"I was in the gym when the email from my editor telling me I'd won the award popped up on my phone, and I can still clearly remember how amazed and thrilled I felt. My books are now published in nine languages, but to discover that one of them has sold over a quarter of a million copies in the UK alone is just so special. Read more
In her Reith lecture of 2017, recently published for the first time in a posthumous collection of nonfiction, A Memoir of My Former Self, Hilary Mantel recalled the beginnings of her career as a novelist. It was the 1970s. "In those days historical fiction wasn't respectable or respected," she recalled. "It meant historical romance. Read more
'Actually, writers have no business writing about their own works. They either wax conceited, saying things like: 'My brilliance is possibly most apparent in my dazzling short story, "The Cookiepants Hypotenuse."' Or else they get unbearably cutesy: 'My cat Ootsywootums has given me all my best ideas, hasn't oo, squeezums?"'