The announcement of the winner of the Man Booker International Prize this week highlights again the growing importance of literary prizes in the international book world. Read more
It's a measure of the growing interest in short stories, amongst both writers and readers, that Costa launched its short story prize in 2012 and that the public is currently invited to read and listen to the shortlisted stories selected from over 1,000 entries on the Costa Book Awards website, and to take part in the public vote. Read more
This year's Booker result raises so many interesting issues that a longer report on Frankfurt, the Book Fair and other issues relating to international publishing will come next week. The links this week give a clue to the many themes that Paul Beatty's win with The Sellout has raised. Read more
Sometimes an author seems to step new-minted into bestsellerdom and, even rarer, literary acclaim. Lisa McInerney is such a writer and her winning of the Bailey Prize earlier in the month, followed by the Desmond Elliott Prize this week, marks a remarkable debut. Read more
Nick Clee asks in this week's Bookbrunch if you need to transcend a prize to win it, inspired by the Costa win by Frances Hardinge's children's book. Read more
This week's story was to have been on the rise in support for short stories, until, that is, Marlon James had his stunning Man Booker Prize win last night. Read more
The longlist for this year's Man Booker Prize is both diverse and international, with a wide range of different kinds of writers and a number of debuts. The longlist features three British writers, five US writers and one each from the Republic of Ireland, New Zealand, India, Nigeria and Jamaica. Read more
When John Spurling won the £25,000 Walter Scott Prize for Historical Fiction recently with The Ten Thousand Things it was much more than a good win against a formidable shortlist, which included Martin Amis, Helen Dunmore, Adam Foulds and Kamila Shamsie. Read more
The growth of literary prizes of one kind and another seems unending, although it's a pity from the point of view of unpublished writers that so many of them are restricted to books which have come from traditional publishers. Read more
Eimear McBride's A Girl is a Half-Formed Thing is having an extraordinary impact. Now that it's won the new Bailey Women's Prize (successor to last year's Women's Fiction Prize and the Orange Prize), there seems to be no stopping the author. Read more
‘Poetry is definitely having a renaissance. There's been a real sea-change in terms of how it's seen, especially in lockdown. Poetry is the perfectly transportable art form. Owning a book is all you need to experience it. Poetry doesn't necessarily give us the answers, but it does give us the tools to think with and helps us process issues.
"If you would be a poet," Lawrence Ferlinghetti, a man who would know, wrote in 2007, "create works capable of answering the challenge of apocalyptic times, even if it means sounding apocalyptic...."
A few years ago at a Radcliffe Institute exhibit, I came across photos of a draft of what would become Angela Davis' autobiography. A foundational Black literary text, bare-boned and vulnerable, is not something you often get to see. The manuscript bloomed with the strokes of a blue pen, notes from the editor on what needed to be changed. Read more
In early February, after a month of lockdown, William Sutcliffe wrote on Twitter: "I have been a professional writer for more than twenty years. I have made my living from the resource of my imagination. Last night I had a dream about unloading the dishwasher." Read more
Sales of print books continued to ride a hot streak into February with units jumping 25.7% in the first week of the month over the first week of February 2020 at outlets that report to NPD BookScan. The increase was the highest yet this year, and unit sales of print books were up 22.1% through February 6, 2021.
Even if-as per my last essay for Lit Hub-we know how to read, there remains the equally vexed question of what we should read. If the 21st century is notable for anything much at all when it comes to literature-and I use the term in its broadest sense, as will become clear-it's the spiking of formerly big literary guns, and the dismantling of what used to be understood as the canon. Read more
Book-to-screen deals are reported by the Hollywood trades in pieces that dutifully mention the novelists, directors and actors involved but often leave out the people who actually made it happen - the agent or manager who hooked up the players, the producer who optioned it years ago, the book scout whose secret source shared the proposal before book publishers had even seen it.
There is a new app. It distills books, both classics and modern bestsellers, into brief, accessible summaries. You can listen to audio versions of summaries, or read them on your phone. The app is called Instaread-or it's called Blinkist, or it's called GetAbstract or Joosr or 12Min or StoryShots or SumizeIt or CatchUp. Read more
When Sarah Pinborough's thriller Behind Her Eyes was published in 2017, even she described it as a "Marmite book". Her publisher slapped on equally dire warnings, hyping it with the hashtag #WTFthatending.
'Remember: when people tell you something's wrong or doesn't work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.'