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Noel Rooney

The Pedant: how to make your editor happy 3: Bells and whistles? The use of bold, italics and capital letters in prose fiction

Bells and whistles? The use of bold, italics and capital letters in prose fiction

There are times when, no matter how well you write, you need typographical support to emphasise a point. English is a wonderfully flexible and suggestive language, but it can't do everything by itself, and replacing plain type with, for instance, italics, can really help the reader to understand what's happening in your story.  Read more

The Pedant: how to make your editor happy 1: Accents and dialects

Accents and dialects: spelling your way into trouble

‘Oi'm sarry to bather ye, Mam.'

‘We ‘ave ze wonderfool patisseries, no?'

‘'Ere, leave orf, will yer, I ain't dun nuffink.'  Read more

The Pedant: how to make your editor happy 2: Dialogue tags

Dialogue tags

She said, he said: the use (and misuse) of dialogue tags

Dialogue is the engine of good fiction. It makes characters three-dimensional and realistic; it drives the story forwards; it allows the writer to provide background information without resorting to reportage. Good dialogue, one might say, speaks for itself.  Read more

So what’s wrong with PDFs?

An editor's take on using pdfs

 

So what's wrong with PDFs?  Read more

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