Fantasy

Fantasy literature is a niche in the publishing market but it has spawned a rather larger industry online: the myriad websites, agencies and resourceful individuals that promise to guide you through the process of creation, from inspirational beginnings to successful outcomes. These various agencies hold out the promise that you are not alone in your ivory tower - help is at hand.
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Your world is constructed: you have a comprehensive setting, a cast of characters (human and/or otherwise), and a plot ready to launch. You come to the first lines of dialogue in the story; how do your characters speak? In this article I'll look at some useful strategies, and some of the pitfalls, involved in fantasy dialogue.  Read more

In the first article on magic in fantasy writing we looked at power scaling, plot armour and plausibility. Here we will look at the different types of magic and, more importantly, the cost of magic. Like many other elements in a constructed world, magic is, effectively, a technology; and technology always has a cost.  Read more

Culture is a slippery concept; it's one of those terms we all know the meaning of until we actually think about it. For the writer, culture can be a two-edged sword: ignore it and your story lacks depth, colour and context; focus too much on it and you risk bamboozling - or worse, boring - your reader into putting the book down.  Read more

Pretty much every time I pick up a fantasy novel and begin to read, the first thing I encounter is a map, or a series of maps, laying out the whole world, the country or city where the main action takes place, two or more separate (and often belligerent) locations, or all of the above. It has become a convention of fantasy literature and, I tend to think, is often rather less use to t  Read more