If you are not a native English speaker but you want to publish your book in English to make it available to the international market, what do you do? Read more
Writing a great book is only part of the picture. Getting it uploaded to Amazon with a great cover, and perhaps printed via POD, isn't the whole picture either. Read more
Never has price been a more essential factor in the success or popularity of a particular title. With prices for ebooks ranging from completely free to upwards of £6/$10, ebook pricing is a minefield for the indie author. Read more
Print On Demand - or POD - is exactly that: a service whereby your book is printed only when it has been ordered, either by a bookshop or an online retailer. Read more
Now we've explored how to format your book for Kindle and upload to the Amazon KDP platform, it's time to look at the virtual shelves of other eretailers.
Why self-publishers (and other authors) need copy editing
Do you want your book to be properly published? Self-publishers should have as good a chance of finding an audience as an author whose book is coming out from a publisher. Read more
Last time we looked at KDP (Kindle Direct Publishing) and how self-publishing authors can upload their books to Amazon directly. Now we're going to focus on one key thing: formatting your book for Kindle. Read more
Ebooks: How to Sell on Amazon: An overview of the KDP platform and what it offers to indie authors.
There's just no ignoring the Zon these days - Amazon is the biggest retailer of books and ebooks, and if you want to reach readers as an indie author then a KDP account is an essential first step. Read more
We specialize in writers based in Japan who are seeking publication overseas, but we are happy to receive submissions from any authors writing in English. We represent fiction and nonfiction for both adults and children, though we have a particular interest in books related to Japan and Asia in general.
'In our world authors may grumble at poor advances, royalties and meagre sales, but at least - in the main - the money flows, as it should, towards the author and availability in shops is a given. In the alternative reality of hybrid, subsidised or contributory publishing, it is authors who provide the investment in return for giving up their rights. The rewards can be dubious...
When I started writing what would become my debut novel, Happy for You, in 2015, the Cambridge Analytica scandal had not yet happened. I wanted to write about technology-specifically, internet technology-which, at the time, was still awash in techno-optimism, but which I was beginning to suspect was having some negative effects on my brain, on my sense of being. Read more
Joël Dicker is often dismissed as a popular fiction writer not to be counted among the literary greats of his era. On the other hand, almost everyone acknowledges his business acumen. The Geneva native is one of the ten most popular authors in the French-speaking world. Read more
The number of books read by children is increasing, analysis completed as part of the annual What Kids Are Reading Report (WKAR) from learning and assessment provider Renaissance Learning has revealed. However authors warn "recent years have seen a worrying decline in children and young people's reading enjoyment". Read more
At least once a month, there's a big discussion online about something or other that has happened in publishing. It might be about where novelists find inspiration, or how authors use sources in nonfiction, or the research practices of journalists versus academics, or the intent of a memoirist, or how much power and influence your average author has. Read more
Since my debut novel, Other People's Children, was published last April, I've been thinking a lot about who gets to tell which stories. Some of my readers don't seem to think that I should have been allowed to write the book that I wrote.
An online survey by the Society of Authors and the Writers Guild of Great Britain found that many authors end up out of pocket if they sign deals with ‘hybrid' publishers.
The international circuit begins each year with two spring fairs: the Bologna Children's Book FairThe Bologna Children's Book Fair or La fiera del libro per ragazzi is the leading professional fair for children's books in the world. and the London Book Fair, typically held in March and April, respectively. The several book fairs of the summer and fall follow: Beijing International Book Fair and Frankfurt Book FairWorld's largest trade fair for books; held annually mid-October at Frankfurt Trade Fair, Germany; First three days exclusively for trade visitors; general public can attend last two. held, respectively, in August or September and October. Read more
Approximately 130 people, as well as others listening online, attended the Book Industry Study Group's first in-person annual meeting in three years, held April 22 in New York City. The meeting focused on the impact of the pandemic and continuing efforts to make the industry more inclusive.