After four years of hard work with a well-known New York City literary agent, around Christmas 1999, I gave up on the traditional route and decided to publish my first novel, a Silicon Valley cyberpunk thriller called Acts of the Apostles, myself.
New research by the Alliance of Independent Authors (ALLi) claims authors who self-publish currently earn more than traditionally published authors. Read more
I started this year's Year in Review blogs with traditional publishing partly because that Department of Justice anti-trust case produced such juicy tidbits that I couldn't ignore them, and partly because I have always started with traditional publishing. Back in the day, I saw all of us (writers, readers, and publishers) as creatures that emerged from traditional publishing.
Independent authors are changing the face of publishing with figures suggesting they now make up around a third of e-book sales in the largest English-language markets.
According to recent statistics, there are more than 750,000 self-published books in the UK and the last five years saw a 68% growth in self-published e-books.
As someone who has published (twice) with a hybrid press, I've become aware that there's a lot of confusion about what the term means and how hybrid publishing really works.
It's a tough decision for a writer to make, one of the toughest. All your life you've fantasized about one of the big New York publishers buying your book and its subsequent astronomical launch into the stratosphere. But it hasn't happened yet in spite of your eating, sleeping, and researching the craft of writing for years. Read more
Author-illustrator Diane Alber self-published her first children's book, I'm Just a Scribble, in the fall of 2017 after a successful Kickstarter campaign. Fifty titles and nearly one million print unit sales later, she has partnered with Surge Licensing to expand her brand and characters globally. Read more
Twelve years ago, on the eve of the modern-day indie author revolution, few writers aspired to self-publish. Self-publishing was seen as a fool's errand. At the time, many writers embraced the false narrative that only publishers and literary agents possessed the divine wisdom to decide which writers are worthy of publication. Read more
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more
Open to unpublished and unagented writers from around the world.
No entry fee
Prize:
Prize of £3,000; publication with Tortoise Media; literary representation by RCW literary agent Laurence Laluyaux and other prizes
Fern Press and How to Academy have partnered on a new essay award worth £3,000, in association with Tortoise Media, for unpublished authors.
Fern Press was launched by Vintage last year, while the annual non-fiction essay prize is "for those working at the frontier of creativity and thought", organisers said. Read more
It's not a pretty word, 'blurb'; it smacks of nonsense, or slightly less than entirely honest marketing. Which is unfortunate, because a blurb is a useful and necessary thing; without it, your book is at risk of being a blank text, what you might call a closed book. Read more
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there"... Writing in lockdown, 'So that was a bit of freedom in a way, I didn't have any expectations almost.
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there". Read more
Waterstones managing director James Daunt said social media is reinforcing the reading of "proper" paper books among young people.
Mr Daunt, who is also chief executive of Barnes & Noble, said social media trends such as 'BookTok' on TikTok had been "hugely positive", as he was made a CBE for his services to publishing by the Princess Royal.
A new generation of romance novel consumers has moved a long-standing three-way conversation between reader, writer and publisher onto social media, industry insiders say, speeding up an already fast-moving segment of the publishing world.
When you are next visiting a bookstore, and find your way to the children's section, you might be forgiven for thinking that there is no longer such a thing as a children's author. Instead, you will be ambushed by piles of books blazoned with the names of actors, singers, comedians, DJs and people who generously exhibit themselves on social media.
A federal judge in California this week dismissed four of six claims made by authors in a now consolidated lawsuit alleging that Open AI infringes their copyrights. But the court gave the authors a month to amend their complaint, and the suit's core claim of direct infringement-which Open AI did not seek to dismiss-remains active.
For budding authors, the submissions process can be daunting. For anyone with little understanding of the publishing industry and how it works, it can be even more so. And for anyone whose writing sits outside of the established ideas of genre, style or content, it can be utterly baffling as to how to present that to an agent or publisher.
Children's creativity
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more