Poetry, Short Story and Flash Fiction open to unpublished work from any writer writing in English over 16. Novel Award restricted to UK writers, and to British adn American writers living abroad.
Entry fee: £12 per poem, £14 per story, £11 for flash fiction and £24 per novel
Prize:
Poetry and Short Story 1st Prize £5,000, Flash Fiction 1st Prize £1,000. Novel Award a year's mentoring and critique
The Bridport Prize has four sections: Poetry, Short Story, Flash Fiction and Novel Award.
Read the Rules carefully, as they have different rules and entry fees for different prizes.
'Beginning a novel is always hard. It feels like going nowhere. I always have to write at least 100 pages that go into the trashcan before it finally begins to work. It's discouraging, but necessary to write those pages. I try to consider them pages -100 to zero of the novel.'
'I was trained by poetry where you can just write ambience and atmosphere. But in a novel, if there's not a story that people are interested in, with characters that they care about, they'll close the book.'
In the third in a series on the implications of AI for publishing, Nadim Sadek argues that effective advertising is now feasible for everyone, and for all kinds of titles
A publishing friend of mine recently told me about a sales report they'd received from a major retailer in which some of their books had zero sales. It turned out that there had been plenty of sales, however-they just all went to counterfeiters. In case you think this is an outlier, it's not. Counterfeiting is a serious, nontrivial problem facing the industry.
If you read the recently unsealed materials from the federal antitrust lawsuit against Amazon, you'll see why the company wanted to keep them under wraps. According to the unredacted notes from one meeting, Jeff Bezos directed his team to stuff more ads into search results, even if it meant accepting more ads internally categorized as irrelevant to what users were looking for. Read more