How Subplots and Plot Filaments Lend Texture and Depth to Any Novel ‹ CrimeReads

A murder mystery, by its nature, is highly plot-centric, and the plot will typically be complex, with a large cast of characters, written with keen attention to detail.

I'm surely not alone in observing that in some circles-particularly literary and academic circles-plot-driven fiction is considered antiquated and two-dimensional, while character-driven stories are seen as the more worthy goal of any serious writer.

Well, now. We know where that can lead, right? Nonstop introspective angst. Interminable dialogue on the meaning of life. Or "action" that's limited to sneers and unflinching stares. Uh, no thanks.

The obvious workaround is compromise-a concept that might seem anathema to the world of polarized politics. But in the world of storytelling, readers rightfully expect a compelling and engaging plot that is also fleshed out with fully developed three-dimensional characters. Any good, solid, modern novel needs both.