In my latest romance novel, How to Catch a Queen, my heroine finally achieves her lifelong dream of becoming a queen following an arranged marriage-only to find herself in a country where the voices of women aren't respected, and queens are powerless.
The "happily ever after" comes only after Shanti and her king, Sanyu, navigate toxic masculinity, a government made of old men who refuse to respect fresh ideas from younger generations, and a community of marginalized people who organize in the back of a bookstore to help drag their country into the future.