It should come as no surprise that the long literary con of Dan Mallory began with a fake memoir. Fabricating pain for profit is, after all, a time honored publishing tradition.
Mallory, who published his bestselling, Hollywood-optioned first novel The Woman in the Window under the name A.J. Finn, was exposed last week as a serial liar by the New Yorker. He faked his resume, he faked cancer, he faked his brother's suicide, he faked that his novel about an agoraphobic woman who thinks she possibly witnessed a crime in her neighbor's apartment wasn't just a hodgepodge rip-off of better written works like Hitchcock's Rear Window, the Barbara Stanwyck film Sorry Wrong Number, and the Holly Hunter and Sigourney Weaver 1980s thriller Copycat.