June 2017 - Writers Magazine

News Review

• 'Good news all round this week, with spectacular audiobook sales increases in the US and surprising figures showing that Millennials are the most likely generation of Americans to use public libraries. In the UK children's titles are continuing to outperform the market...'
• 'Tracy K Smith has been named US Poet Laureate and in the UK National Writing Day has brought a focus on poetry, with two new articles available from the Poetry School... Poets don't have it easy and there's general agreement that poetry doesn't make you a living, or not unless you're very successful. For poets the rapid expansion of creative writing classes, often taught by poets, has been a life-saver...'
• 'The announcement of the winner of the Man Booker International Prize this week highlights again the growing importance of literary prizes in the international book world...'
• 'BookExpo and the appointment of a new UK Children's Laureate have dominated the book trade news agenda this week. BEABookExpo America, commonly referred to within the book publishing industry as BEA. The largest annual book trade fair in the United States's move to New York last week was reckoned to be a great improvement over Chicago and Lauren Child said she wanted: 'to inspire children to believe in their own creative potential, to make their own stories and drawings and ignite in them the delight of reading for pleasure. In an increasingly fast paced world, children need the freedom to dream and imagine; to enjoy reading, drawing and telling their own stories without value judgement or restraint...'
• 'Did you know that China publishes more books per year than the US? Or that it's in India that people devote the most time to reading books? Some interesting but rather bald figures from Goodreader.com show that the US with 304,914 books published a year comes second to China's 440,000, the world's highest number. Russia is third with 120,000, followed by the UK...'
• 'Backlist titles, because they are always available, offer opportunities to benefit from new publicity. The effect of changing exchange rates on publishing is shown by price increases at Wordsworth Editions. Backlist titles kept in print or available for print on demand are always in stock, meaning that all titles are effectively in play now, as Mike Shatzkin has just pointed out...'

Comment

• 'The real world is full of wild, outlandish coincidences that we can't use because fiction has to be realistic. There's nothing realistic about the world now, politics-wise, everything-wise. You couldn't make it up - it's a problem for fiction writers.' Ian Rankin, author of Rather be the Devil, Knots and Crosses and many other novels, in the Sunday Telegraph.
• On horror -‘It's one of the genres that live across the tracks in the literary community, but what could I do? That's where I was drawn. I love D.H. Lawrence. And James Dickey's poetry, Émile Zola, Steinbeck ... Fitzgerald, not so much. Hemingway, not at all. Hemingway sucks, basically. If people like that, terrific. But if I set out to write that way, what would've come out would've been hollow and lifeless because it wasn't me. And I have to say this: To a degree, I have elevated the horror genre...' Stephen King, author of Carrie, Sleeping Beauty and many other novels in an interview in Rolling Stone
• 'Stop reading so many articles on the internet about how to write. You're allowed one a week. Instead, spend that time actually writing. Write for 15 minutes every day. Set a time in advance, set a timer. Try to write at the same time every day. Your subconscious will get used to the idea and will start to work like a reliable water spout...' Advice in our Comment column Just do it from Naomi Alderman, author of Disobedience and The Power, which has just won the 2017 Baileys Women's Prize for Fiction, in the Guardian.
• 'I think the themes that I am interested in writing about are similar in my crime fiction and in my poetry. I want to write about people, the way they behave, their psychology, the whole gamut of relationships - romantic partnerships, family, friendships. Even formally, I think poetry and crime fiction have a lot in common. In a tightly plotted crime novel and a highly metrical poem, for instance, structure is crucially important...' Sophie Hannah, author of Did You See Melody? plus 18 other novels and 5 poetry collections, provides our Comment from the Guardian.
• 'I think the themes that I am interested in writing about are similar in my crime fiction and in my poetry. I want to write about people, the way they behave, their psychology, the whole gamut of relationships - romantic partnerships, family, friendships. Even formally, I think poetry and crime fiction have a lot in common. In a tightly plotted crime novel and a highly metrical poem, for instance, structure is crucially important...' Sophie Hannah, author of Did You See Melody? plus 18 other novels and 5 poetry collections, provides our Comment from the Guardian.
• 'But what is just as obvious - and what is too often overlooked - is the fact that from their earliest years children live on familiar terms with disrupting emotions, that fear and anxiety are an intrinsic part of their everyday lives, that they continually cope with frustration as best they can. And it is through fantasy that children achieve catharsis. It is the best means they have for taming Wild Things...' the great Maurice Sendak, author and illustrator of Where the Wild things Are, in his 1964 Caldecott Medal Acceptance Speech for that book.

Quote

From Helen Dunmore, who died that week, two quotes in our Writers' Quotes, one about writing novels and the other about poetry: 'A novel, in the end, is a container, a shape which you are trying to pour your story into.' and 'I have learned so much from working with other poets, travelling and reading with them, spending days discussing poems in progress. There is the sense that we are all, as writers, part of something which is more powerful than any of us.'