We represent literary fiction, quality commercial fiction, thrillers, suspense, children and young adult fiction, biographies and a few non fiction works.
We don't represent horror, Sci Fi and poetry. Read more
Founded 1992. Handles literary fiction, narrative and general non-fiction. No scripts, genre fiction, romance, horror, science fiction or children's books. Send covering letter with first three chapters or e-mail query in the first instance. No reading fee.
Commission Home 15; Foreign/Translation 10% Read more
Rocking Chair Books is a literary agency focusing on literary fiction, upmarket commercial, and commercial fiction and general non-fiction for publication around the world. Our motto is a great story is a great story.
No reading fee.
We represent Brian Turner, Zena el Khalil, Lakambini Sitoy, Conflict Relief, Elle Symmonds.
Full-length MSS (home 15%, overseas 20%). Literary and general fiction and non-fiction, popular culture, history, science, teenage fiction. No dramatic scripts, poetry, science fiction or fantasy. No reading fee. Preliminary letter, synopsis, between 5,000 and 10,000 words, ideally the opening chapters and S.A.E essential.
Literary fiction, crime writing and writing for children; non-fiction: biography, history, sport, music popular culture. Also adult fiction and general non-fiction. No poetry, science fiction, fantasy or academic.
Represents children's writers and illustrators. No reading fee. See website for submission guidelines. Read more
Full-length MSS. Literary and commercial fiction and non-fiction, children's, performance rights. Also handles adult literary and commercial fiction and non-fiction; 20% of list is for children's market.
Handles picture books, fiction for 5-8 and 9-12 year-olds, teenage fiction, series fiction, film/TV tie-ins and non-fiction. Read more
LAW represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult.
Handles full-length commercial and literary fiction, non-fiction and children’s books. No fantasy (except children’s), no science-fiction, plays, poetry or textbooks. Film/TV scripts are handled for established clients only. Submission guidelines in .pdf on agents website.
All submissions should be sent, in hard copy, by post to: LAW, 14 Vernon Street, London, W14 0RJ.
PLEASE NOTE they do not accept submissions by fax, email (or email attachment) or disk.
represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult. Read more
'Writing is rewriting. The first draft is the jabber you forced on that blind date. She was hoping for someone to ask her what she was feeling, but all you said was, and then I, and then I, and then I, and then . . . The first draft is meant to be discarded. The first draft is the beginning of the idea, the slender thread of a story.
In every skirmish in the ‘culture war', be it fought in universities, Twitter or Parliament, there's an inevitable reference to Harry Potter. The Potter references can seem like a joke; the perpetual furore around the politics of a ‘mere' children's author more so. But it is no laughing matter. Read more
In a presentation that was part of Credit Suisse's 23rd annual communications conference, HarperCollins CEO Brian Murray said he sees no signs of consumer book spending slowing down in 2021-nor does he see the trend toward greater consolidation of the publishing industry cooling. Read more
I have spent the past five years reading the descriptions of hundreds of books, trying to find things that are interesting and worthwhile for me to pitch as a freelancer. They are almost always bad.
Bestselling writers including Philip Pullman and Kate Mosse are warning of a "potentially devastating" change to the UK's copyright laws that could damage authors' livelihoods by flooding the UK market with cheap foreign editions.
'Writing is rewriting. The first draft is the jabber you forced on that blind date. She was hoping for someone to ask her what she was feeling, but all you said was, and then I, and then I, and then I, and then . . . The first draft is meant to be discarded. The first draft is the beginning of the idea, the slender thread of a story. Read more
‘All fiction is largely autobiographical and much autobiography is, of course, fiction.'
Having her nonfiction book of essays, "Shrill: Notes From a Loud Woman," turned into a streaming scripted comedy in 2019 checked many boxes for Lindy West. Read more
Just about every fiction writer understands the need to include elements of rising tension in their stories. But as someone who reads thousands of submissions every year, I know that many emerging writers sometimes don't know quite how to go about this. I see a lot of stories try to tease their way into creating tension. Read more
I've written two published novels set in the past, and have several more abandoned manuscripts. Dangerous Remedy and Monstrous Design are both set in the dying days of the French Revolution, and the politics and science of the historical period are central to both.
Walter Mosley on rewriting
'Writing is rewriting. The first draft is the jabber you forced on that blind date. She was hoping for someone to ask her what she was feeling, but all you said was, and then I, and then I, and then I, and then . . . The first draft is meant to be discarded. The first draft is the beginning of the idea, the slender thread of a story. Read more