Over the last couple of years, it's been tough not to notice the increase in dramatic rights deals in the book industry. A quick search on Publishers Marketplace reveals a new film or television deal almost every week. Read more
Books and magazine articles have long provided the IP Hollywood depends on, but until recently, authors played little role in the process. Now, lit agencies and publishers are changing the rules and shortening the page-to-screen pipeline.
Given the increase in book-to-screen deals in recent years, and the tendency of the TV/movie industry to build off existing intellectual property, it's natural for authors to wonder if their own work is suitable for adaptation-or if they can increase their chances of writing something that will be adapted. Read more
There is more than one devastating murder in my debut novel One Night, New York. It would, of course, ruin the book to reveal who dies at whose hand, but what I want to do here is poke around a little bit in the who and the when and the how of writing these murder scenes. Read more
I know that writers often feel that the screen adaptation of their work is an inferior-sometimes even an embarrassing-take on the original. Writers say: I told myself that a novel and a film are two different things. Once you sign that contract with Hollywood, let it go. It's out of your hands.
When author and illustrator Ariella Elovic drafted her book proposal for Cheeky: A Head-to-Toe Memoir, she never considered that the graphic memoir about body acceptance might one day become a television series. Read more
It was author David Finkel who taught me to "report cinematically." This was key, he argued, to writing a story that feels like a movie, using the variety of camera angles available to the cinematographer, from wide establishing shots to extreme close-ups. Read more
Much has been written about the style and mood of William Friedkin's The French Connection (1971). Commentators are fond of identifying influences ranging from Costa-Gavras' Z and the Maysles brothers work, to the more recently noted Kartemquin documentaries of the 1960s. Read more
Unpublished authors 18 years old or over resident in the UK.
Entry fee £8
Prize:
Book contract with HQ with advance of £7,500 and agent representation
The Primadonna Prize for unsigned and un-agented authors will, for the first time, offer the winner a book contract with HQ with an advance of £7,500 for world English rights. Read more
‘It's a big part of the job. Being able to put yourself in their shoes is really important. I'm not a writer, but I watch a lot of author content online and I read a lot of stuff from authors. Having that perspective is really important for me to be able to give my authors context. Their emotions are important. If they're disappointed we didn't sell, so am I.
Something interesting has been going on in publishing this year. Not the thumping increases in overall revenue - up 5 per cent to £6.7 billion across digital and physical books in the UK and Ireland. And not the surge in export markets: despite Brexit, exports are up 8 per cent to English language domains. Read more
People from many different industries have watched the rapid erosion of Twitter. While it remains up and running as of this date, millions of people have abandoned or shut down their accounts for reasons ranging from owner Elon Musk's reinstatement of former president Donald Trump's account to overall disenchantment with the role social media plays in our lives.
"Everyone always asks, so here you go," Aaliyah Aroha wrote in the caption of what would go on to become one of her most popular TikTok videos. She appears, lip-syncing to a song from the app-favorite Unofficial Bridgerton Musical and holding a stack of books, as the words "Enemies to Lovers book recommendations" float overhead. Read more
It was a dreary day in October, and the baby that was supposed to have arrived was already late. Maybe that means nothing to you, but to me, it meant that my out-of-office had long ago gone up and instead of holding my new baby, I was Googling the rates of stillbirth for post-term infants and the mortality rate of the women who carried them. Read more
At 91, Robert Gottlieb is perhaps the most acclaimed book editor of his time. He started out in 1955 and has been working in publishing ever since - serving as editor-in-chief at Simon & Schuster, Alfred A. Knopf and The New Yorker. The list of authors he's edited include Joseph Heller, Toni Morrison, John le Carré, Katharine Graham, Bill Clinton, Nora Ephron and Michael Crichton.
Author and screenwriter Fay Weldon has died "peacefully" at the age of 91, her agent Georgina Capel has confirmed.
The writer was best known for her novels exploring society and class. She penned more than 30, including The Life and Loves of a She-Devil (Sceptre) and Praxis (Coronet), which was shortlisted for the Booker Prize.
Happy New Year, book lovers! For me, January 1st came and went like a flash, and my TBR pile hasn't budged one iota since the start of 2022. Not ONE. SINGLE. MILLIMETER. In fact, it's grown even taller. And the pileup on my e-reader? At this stage it's reached monumental proportions-a traffic jam of delectable books just waiting to be unleashed.
'I believe that reading and writing are the most nourishing forms of meditation anyone has so far found. By reading the writings of the most interesting minds in history, we meditate with our own minds and theirs as well. This to me is a miracle.'