The appeal of the procedural is built upon a simple human desire: we love to solve problems, and we love to watch others solve them. Even better when solving a problem feels like revealing a hidden connection beneath the skin of the world.
Though her knitwear patterns had previously been published in books and magazines, Reagan Davis was ready to spin a different kind of yarn.
A longtime fan of the cozy mystery - wholesome whodunits more in the vein of Agatha Christie than John Grisham - the Ontario-based Davis decided to self-publish the first three books in her "Knitorious Murder Mysteries" series.
We all read crime novels, and all crime novels feature guns (more or less). When I got to work on my own crime novel-my first, after cutting my teeth on Napoleonic spy thrillers-I wanted to make sure I knew my stuff. It's a contemporary heist thriller about counterfeiting, art forgery, neo-Nazis and a horseback-Amtrak train robbery. Guns are involved. Read more
Murder is a grisly, nasty business...except in the cozy mystery subgenre, where bloodless murders are the order of the day. If the words "cozy" and "murder" sound like an oxymoron when used in the same sentence, you're not alone. The subgenre can seem downright baffling to outsiders at first glance. There is, however, a method to the madness.
In a novel, an effective setting transports the reader, immersing them in the narrative and creating a believable physical environment where plot can flourish. Read more
The average victim of a kidnapping is dead less than 48 hours from the point of abduction. Captivity is an unusual choice for a murderer, both in life and in fiction. It requires resources, introduces variables, and produces a bizarre form of intimacy. What scares us most about captivity-centered narratives is that they break the immediacy and predictability of even the grisliest murders. Read more
The ring of the doorbell, the pop of a champagne cork, a peal of laughter from another room. Wicked gossip, a meaningful glance across the dining table, a knife secreted in a napkin. The host must step away for just a moment to take an urgent phone call, would you all keep yourselves occupied? No, nothing is the matter. Unless something is?
In 1859, workers at a dock in New York City noticed that a barrel that had been shipped into town smelled particularly foul and decided to open it up. Read more
In a follow to Monday's (August 30) update on the United States' market, NPD BookScan's research team has released a genre-specific look at the thriller and suspense category, finding that US sales have dropped six percent in the last year. Read more
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more
Open to unpublished and unagented writers from around the world.
No entry fee
Prize:
Prize of £3,000; publication with Tortoise Media; literary representation by RCW literary agent Laurence Laluyaux and other prizes
Fern Press and How to Academy have partnered on a new essay award worth £3,000, in association with Tortoise Media, for unpublished authors.
Fern Press was launched by Vintage last year, while the annual non-fiction essay prize is "for those working at the frontier of creativity and thought", organisers said. Read more
It's not a pretty word, 'blurb'; it smacks of nonsense, or slightly less than entirely honest marketing. Which is unfortunate, because a blurb is a useful and necessary thing; without it, your book is at risk of being a blank text, what you might call a closed book. Read more
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there"... Writing in lockdown, 'So that was a bit of freedom in a way, I didn't have any expectations almost.
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there". Read more
Waterstones managing director James Daunt said social media is reinforcing the reading of "proper" paper books among young people.
Mr Daunt, who is also chief executive of Barnes & Noble, said social media trends such as 'BookTok' on TikTok had been "hugely positive", as he was made a CBE for his services to publishing by the Princess Royal.
A new generation of romance novel consumers has moved a long-standing three-way conversation between reader, writer and publisher onto social media, industry insiders say, speeding up an already fast-moving segment of the publishing world.
When you are next visiting a bookstore, and find your way to the children's section, you might be forgiven for thinking that there is no longer such a thing as a children's author. Instead, you will be ambushed by piles of books blazoned with the names of actors, singers, comedians, DJs and people who generously exhibit themselves on social media.
A federal judge in California this week dismissed four of six claims made by authors in a now consolidated lawsuit alleging that Open AI infringes their copyrights. But the court gave the authors a month to amend their complaint, and the suit's core claim of direct infringement-which Open AI did not seek to dismiss-remains active.
For budding authors, the submissions process can be daunting. For anyone with little understanding of the publishing industry and how it works, it can be even more so. And for anyone whose writing sits outside of the established ideas of genre, style or content, it can be utterly baffling as to how to present that to an agent or publisher.
Children's creativity
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more