The average victim of a kidnapping is dead less than 48 hours from the point of abduction. Captivity is an unusual choice for a murderer, both in life and in fiction. It requires resources, introduces variables, and produces a bizarre form of intimacy. What scares us most about captivity-centered narratives is that they break the immediacy and predictability of even the grisliest murders. The corpse is to be expected, the shock is rote. Captivity spools out endless time, interstitial between the disruption of normal life and the end-whatever the end may be. Captivity breaks the clock, and renders horrors we couldn't have dreamt.
Why Are Stories of Captivity and Abduction So Extraordinarily Terrifying? ‹ CrimeReads
5 September 2022
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