We represent literary fiction, quality commercial fiction, thrillers, suspense, children and young adult fiction, biographies and a few non fiction works.
We don't represent horror, Sci Fi and poetry. Read more
Our client list is currently full. However, if you have a project that you feel is absolutely a fit for one of us, or questions concerning our clients and their rights, we can be reached at the addresses show. Read more
Rocking Chair Books is a literary agency focusing on literary fiction, upmarket commercial, and commercial fiction and general non-fiction for publication around the world. Our motto is a great story is a great story.
No reading fee.
We represent Brian Turner, Zena el Khalil, Lakambini Sitoy, Conflict Relief, Elle Symmonds.
Full-length MSS (home 10%, USA/translation 20%). Fiction preferred - thrillers, Irish novels, literary fiction, women's novels and general commercial. No horror, science fiction, children's or poetry.
Strong editorial support. No reading fee. Preliminary letter, synopsis and 3 sample chapters (single line spacing). Return postage essential, IRCs from UK and abroad. Read more
Novels, thrillers, faction, non-fiction, graphic novels, and children's books, and graphic and illustrated media edutainment concepts (home 15%, overseas/translations 20%, advertising/sales promotion one-third). Read more
The Darley Anderson Literary, TV and Film AgencyThe Darley Anderson Literary, TV and Film Agency was founded in 1988 by ex-publisher Darley Anderson and is based in London with a regional office in the book town of Hay-on-Wye on the English/Welsh borders. Member of Association of Authors' Agents. was founded in 1988 by ex-publisher Darley Anderson and is based in London with a regional office in the book town of Hay-on-Wye on the English/Welsh borders.
Commission : 20% for film/TV/radio. Has an association with APA Talent & Literary Agency in Hollywood. Read more
"Why isn't there more sex in your books?" I get this question a lot. In my DMs. In my email. In Zoom book club meetings, bookstore signings, and festival events. This, more than any other, seems to be the question my enthusiastic (and apparently thirsty) fans are burning to ask. Written inquiries are usually punctuated with fire emojis, or more commonly, a string of bright red chili peppers. Read more
I write dark fantasy stories for adults that explore survival after sexual trauma and war. My work focuses on the aftermath of sexual violence and the way my protagonists stubbornly live well after the unthinkable. There are no on-page depictions of SA in my work. Read more
I write a historical fiction series set in World War Two London. My protagonist is a Scotland Yard detective called Frank Merlin. I place great importance on being historically accurate in my books. I take the view that as I am attempting to transport my readers to a very different time and place, accuracy is a key element to doing that successfully. Read more
Booksellers report that more customers are switching to paperbacks as household budgets tighten, with agents and publishers also predicting a shift towards the cheaper format. Read more
A decade ago fiction was said to be migrating to digital-but in 2022 adult fiction sales were £164m greater than its 2014 low, propelling the market to a strong total in the past 12 months.
HarperCollins, which laid off a "small number" of workers last fall, is taking more drastic steps to reduce its workforce, and plans to cut 5% of its employees in North America by the end of the current fiscal year, which ends June 30. Some jobs were eliminated today.
For the first time since 2019, Nielsen was able to report data for the full year-and it seems most publishers have been reaping the reward of a bountiful few years, with a number posting all-time highs.
The backlist boom which surged during the pandemic continued with a mighty push from TikTok in 2022, as nearly two-thirds (£1.19bn) of Nielsen BookScan revenue last year came from editions published in 2021. This is the second-highest share of revenue for a TCM 12-month period coming from titles released prior to the beginning of that year.
'Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world. Read more
'By the time I am nearing the end of a story, the first part will have been reread and altered and corrected at least one hundred and fifty times. I am suspicious of both facility and speed. Good writing is essentially rewriting. I am positive of this.'
Culture is a slippery concept; it's one of those terms we all know the meaning of until we actually think about it. For the writer, culture can be a two-edged sword: ignore it and your story lacks depth, colour and context; focus too much on it and you risk bamboozling - or worse, boring - your reader into putting the book down. Read more
Unpublished authors 18 years old or over resident in the UK.
Entry fee £8
Prize:
Book contract with HQ with advance of £7,500 and agent representation
The Primadonna Prize for unsigned and un-agented authors will, for the first time, offer the winner a book contract with HQ with an advance of £7,500 for world English rights. Read more
'Go for broke'
'Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world. Read more