Last week, Douglas Stuart's Shuggie Bain was announced this year's Booker Prize winner. It's no small feat for any writer, but what makes this win so spectacular is the fact that Shuggie Bain is a debut novel. Read more
No longer able to take my long twice-daily walk from Penn Station to Rockefeller Center as I was no longer commuting into the city, I'd initially worried (along with dozens of other worries) that quarantine would turn me into a chair-potato. I needn't have fretted.
Today's post is by regular contributor Peter Selgin, the award-winning author of Your First Page. He offers first-page critiques to show just how much useful critical commentary and helpful feedback can be extracted from a single page-the first page-of a work-in-progress.
Whether you're writing a novel, memoir or how-to book, a manuscript evaluation can be an economical opportunity to have your work reviewed by a professional editor before you begin querying and submitting. Read more
Indie authors all agree: hiring an editor to work on your manuscript is one of the best and most necessary investments an author can make. Editing takes both time and money and can encompass anything from a substantiative (i.e. Read more
My entire childhood I hoped to write books, and entered the publishing industry after college on the now humorous assumption-humorously wrong, and also humorously correct for reasons I did not then understand-that being an editor would help me realize that dream. I became a full-fledged book editor in 2007, after the assumed unpaid internship and then editorial assistantship. Read more
"Mistakes are reminders that books are made by humans and not gods," a publisher once told me when I was a relatively new editor, bemoaning a typo that had managed to slip through. Those words brought me some comfort at the time. And now, all these years later, in my role as publisher of two imprints, those words come to mind often-because where there are books, there are errors. Read more
In 2018, I was fortunate to work with three novelists who transformed their thrillers through remarkably inspired revisions. As is often the case, I learned more than I contributed while working on these exceptional books. Here, I'll share a few of my takeaways. Read more
Signing with a publishing house is undoubtedly a very exciting experience, but it can also come with a side of confusion, especially for debut authors. It can be hard to let your work go, because you've worked on it so hard and up until now, you've been in control (perhaps with your agent too). I wanted to explain some of the decisions publishers might make for your book, and why.
‘My father was a playwright so I grew up with reverence for writing. The sound of his typewriter clacking was one I grew to love. What I didn't know was how disappointed he was by the failure of his work to reach the West End. Later, I realised not all writing careers end in disappointment, and it was worth trying to make mine a success... Read more
'No author dislikes to be edited as much as he dislikes not to be published.'
‘The thing I like about novels is that they are a more forgiving form. You can make missteps. It's harder to write a really good short story - I'm more aware of the flaws in my short stories.
Michael Morpurgo has denied a Sunday Times report that he "refused" to include The Merchant of Venice in a forthcoming Shakespeare anthology for children due to antisemitism. Read more
Pitching a manuscript isn't for cowards, the thin skinned, or those with no endurance. Believing your project is worthy, truly believing in it, is required, as is the patience of a saint.
Poets & Writers wrapped up its 50th anniversary in 2020 by announcing a $250,000 contribution from Barnes & Noble founder-and longtime P&W supporter-Len Riggio. The donation from Riggio and his wife, Louise, will be used for new initiatives to extend the organization's support of Black and marginalized writers.
George Saunders once said, ‘when you read a short story, you come out a little more aware and a little more in love with the world around you'...but what is the best way to start? Read more
George Orwell died at University College Hospital, London, on 21 January 1950 at the early age of 46. This means that unlike such long-lived contemporaries as Graham Greene (died 1991) or Anthony Powell (died 2000), the vast majority of his compendious output (21 volumes to date) is newly out of copyright as of 1 January. Read more
It might be a picture of gloom and doom for most business sectors in 2020 though surprisingly, the publishing sector has come out unscathed from the vagaries of the pandemic. Sales have largely been positive across all segments of the book industry, which includes printed books, eBooks, and audiobooks.
Open internationally.
Entry fee £28, £25 to subscribers to The North
Prize:
Publication by Smith|Doorstop Books; a share of £2,000 cash; a launch reading; publication in the North magazine; book vouchers from Inpress Books
The 2021 International Book & Pamphlet Competition is now open for entries
Judged by Daljit Nagra & Pascale Petit
DEADLINE: last post on Monday 1st March 2021, or midnight on Monday 1st March 2021 for online entrants.
ENTRY FEE: £28, or £25 for North subscribers, Friends of the Poetry Business and members of the Poetry Society. Read more
'People have many cruel expectations from writers. People expect novelists to live on a hill with three kids and a spouse, people expect children's story writers to never have sex, and people expect all great poets to be dead. And these are all very difficult expectations to fulfill, I think.'
‘When I'm putting together a novel, I leave all the doors and windows open so the characters can come in and just as easily leave. I don't take notes. Once I start writing things down, I feel like I'm nailing the story in place. When I rely on my faulty memory, the pieces are free to move. Read more
'Not all writing careers end in disappointment'
‘My father was a playwright so I grew up with reverence for writing. The sound of his typewriter clacking was one I grew to love. What I didn't know was how disappointed he was by the failure of his work to reach the West End. Later, I realised not all writing careers end in disappointment, and it was worth trying to make mine a success... Read more