Booker Prize-winning author Samantha Harvey has revealed how she nearly "lost her nerve" when writing her novel Orbital, over fears no-one would want a read a book by "a woman who had never been to space".
You only have to look at the extent of the global reach of the winner the day after to see what a big deal the prize has become internationally. Coverage from right round the world, all the big American media outlets, but also from across the Continent, the Far East, the southern hemisphere, the Middle East.
With Sri Lanka's Shehan Karunatilaka and India's Geetanjali Shree taking home two of publishing's biggest prizes, what next for one of the world's most overlooked literary regions?
The remarkable thing about this violence-soaked novel narrated by a dead man is how full of life it is. Shehan Karunatilaka's The Seven Moons of Maali Almeida comes a decade after his rollicking debut Chinaman, which combined the love of cricket with the horror of Sri Lanka's civil war. Read more
There are wonderful stories in publishing, but the story of Douglas Stuart is pure magic. And with Young Mungo (Grove, Apr. 2022), the follow-up to his 2020 Booker Prize-winning debut novel, Shuggie Bain, more magic is all but guaranteed.
This year's key prizes have gone to writers from Africa and the diaspora. Damon Galgut, Mohamed Mbougar Sarr, Abdulrazak Gurnah and others explain what winning means to them
This year an idiosyncratic shortlist has produced a clear and unsurprising winner. With an impressive backlist and two former shortlistings, Damon Galgut is a major figure in world literature and a vital, nuanced chronicler of the deep hurts of South Africa, past and present.
Its knack for creating tension and controversy has helped it remain an energising force in publishing for more than 50 years - but how do writers, publishers and judges cope with the annual agony of the Booker?
The South African author struggled to find a publisher for her Booker-nominated novel An Island, which only had a print-run of 500 copies. She talks about rejection, her country and believing in herself
'I did something which I haven't done before, which was really just play. I went into the British Library, looked at a whole load of books about subjects I was interested in, and just waited to see anything that jumped out at me.
Kate Thompson was horrified to discover that her book, The Sunday Times bestseller, A Mother's Promise, had been plagiarised and rewritten by AI - just days after publication. And then it happened again.
On Saturday, the Trump administration fired Shira Perlmutter, the register of copyrights and director of the U.S. Copyright OfficeThe US copyright office has information on its website about how to register and what advantages there are in doing so. www.copyright.gov/register/, just two days after the dismissal of Librarian of Congress Carla Hayden, under whose auspices the U.S. Copyright Office operates. Perlmutter was appointed by Hayden in 2020.
Protection of copyright has always been a top priority for the Association of American PublishersThe national trade association of the American book publishing industry; AAP has more than 300 members, including most of the major commercial publishers in the United States, as well as smaller and non-profit publishers, university presses and scholarly societies, and that point was driven home again during the organization's annual meeting held via Zoom on May 8. Read more
Mark Price has said he has been advised that there are "two grounds on which a legal case could realistically be pursued" against Meta in the UK for the company's use of pirated books to train artificial intelligence (AI) models. Read more
When readers first met her in The Golden Compass (first published in the U.K. in 1995 as Northern LightsHandy site which provides links to 7,500 US publishers' sites and online catalogues. www.lights.com/publisher/), Lyra Belacqua was a young orphan, hiding in a wardrobe at Oxford's Jordan College, spying on the scholars she lived among in a world with some parallels to our own. Read more