Amid a flurry of editors switching to becoming agents, those who have made the move suggest the pandemic and publishing's long hours have prompted the switch, as well as the two skill-sets becoming increasingly similar.
That 10% fee buys a novelist like me more than the chance of a big book deal - from a hand with the DIY to a shoulder to cry on after yet another knockback
The tightening of publishers' purse strings in response to the economic fallout of Covid-19 has added a new wrinkle to an age-old dilemma for agents: when is the best time to submit their clients' new manuscripts?
If you're one of those people who always said they would write a novel if only they had the time: this is your moment. As more budding writers self-isolate due to the coronavirus and finally knuckle down on their manuscripts, the publishing industry has already seen a surge in submissions. Read more
I received an offer of representation for my young adult novel. When I notified the other agents who had the full manuscript that I was withdrawing from consideration, I got an additional five offers! What would you advise I ask of the offering agents in this situation?
Throwing your new manuscript into the query trenches can be an exhilarating but nerve-crushing experience. I use a systematic and business-like approach to help take the sting out of rejections and keep me focused on moving forward with querying. Read more
We've all been there. We send a piece of ourselves out into the world and then wait to see what happens. And we try not to take it personally. But unless you've written a manual about the proper application of an electronic device, there's a part of you in your work and you want to see it do well. It's the literary equivalent of writing a note that says, "Do you like me? Read more
Almost anyone who has spent time in the query trenches knows how challenging it is to capture the attention of a literary agent. Most agents, even new agents eager to build their client list, pass on over 90 percent of the queries they receive. Read more
Don't you wish someone could tell you how close you are to getting traditionally published? Don't you wish someone could say, "If you just keep at it for three more years, you're certain to make it!" Read more
'We've only been publishing for three years, having started just before the pandemic did... The digital vision we had formulated was vindicated and validated by the pandemic - but that doesn't mean it's not still relevant. As we grow, we're doing a bit more print, but we'll continue to adapt and survive.
In 2017, we learned that Eleanor Oliphant was completely fine. As you may recall, there was a bestselling novel all about it, titled, appropriately enough, Eleanor Oliphant Is Completely Fine. Soon, a wave of syntactically similar book titles followed, all involving simple sentences containing the female protagonist's name: Evvie Drake started over. Florence Adler swam forever. Read more
Kate Clanchy's memoir about teaching won the Orwell prize. Then, a year later, it became the centre of a storm that would engulf the lives of the author, her critics and dozens of people in the book trade. So what happened?
Writers buy plotting books by the dozen and do their best to create the plottiest plot that the world has ever seen. They stuff their novels with action-packed sword fights, explosions, fist fights, and screaming matches. Plot points, pinch points, and grandiose climaxes abound. Read more
In my 15 years of teaching English to hundreds of children in various parts of England, there are four books that have been on the curriculum in every school I have found myself in, with no exception: Of Mice and Men by John Steinbeck, Animal Farm by George Orwell, An Inspector Calls by JB Priestley and Private Peaceful by Michael Morpurgo. Read more
The Booker prize-winning author Bernardine Evaristo says she fears that publishers' interest in black authors may be only a "trend or fashion" that could wane unless the business becomes more diverse. Read more
Waterstones Children's Laureate Cressida Cowell has revealed the "transformative" impact on the pilot primary schools taking part in her "Life-changing Libraries" initiative, including an increase in a love of reading, motivation towards learning, well-being and feelings of self-worth. Read more
Every writer has had it drilled into them at some point. It's one of the most familiar bits of writing advice there is: "Write what you know." And it makes so much sense-it worked for John Grisham and Kathy Reichs, right?
Another May has come and gone without BookExpo or any other in-person, industrywide spring show taking its place. As the pandemic eases, more and more publishing and publishing-related conferences, meetings, and fairs are moving from online-only events to either in-person or hybrid affairs. Read more
Meanwhile, I was working on my column for Publishers WeeklyInternational news website of book publishing and bookselling including business news, reviews, bestseller lists, commentaries http://www.publishersweekly.com/. The theme: influencing readers-beyond BookTok. I certainly didn't expect to find a point of intersection with these two shows. Did I? Bear with me.
'The existence of good bad literature - the fact that one can be amused or excited or even moved by a book that one's intellect simply refuses to take seriously - is a reminder that art is not the same thing as cerebration.'