Young adult literature entered the decade like a lion, but now it seems to be eating itself alive.

By 2010, Stephenie Meyers' Twilight had already proven that a multivolume YA franchise with a romantic triangle and lashings of paranormal brooding could be a virtual license to mint money, especially when the inevitable movie deal came along. Then the 2012 film version of Suzanne Collins' The Hunger Games, a series already enormously popular in print, was a hit in theaters, adding dystopian yarns to the roster of blockbuster YA themes. To distinguish themselves in an increasingly crowded field, the genre's characters sported ever-stranger and even outright gimmicky special powers-the ability to manipulate iron or kill with a touch or turn into a bee-and they wrestled with societies that dictated who they married, segregated them into factions based on temperament, or subjected them to surgery that eradicated their ability to love. Dystopia was a trenchant genre for middle-class kids who grew up heavily surveilled by parents and social media, as well as pressured to vie for their spot in a relentless meritocracy starting from grade school.