17 June 2019
I love me a good Sherlock Holmes adaptation. But something that always bugs me about film and television Sherlockiana (especially the more modern, more big-budget adaptations) is how quickly they go from zero to Moriarty. And of course the Napoleon of Crime is an iconic part of the canon, especially the later canon which increasingly referenced the professor, and developed a habit of pitting the great detective against ever vaster and more elaborate conspiracies