Step into any bookshop today and you'll find too many compendiums of feminist heroines designed for both children and adults. The books might be recently published, but the formula is well-established: colourful illustrations opposite short descriptions of the lives and works of pioneering women such as Jane Austen, Frida Kahlo and Hillary Clinton. This publishing avalanche owes its existence to a single commercial success: 2017's Good Night Stories for Rebel Girls.
Why is publishing suddenly obsessed with “rebel” women?
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