Accepts full-length MSS, scripts for T.V and theatre; also novels, fiction and non-fiction. Represents screenwriters. Agents cover film, TV and theatre as well as literature.
Does not welcome unsolicited material but enquiries are accepted in writing.
No reading fee for synopsis, plays or screenplays, but a fee is charged for full-length MSS. Return postage required. Read more
Agents for the negotiation of all rights in fiction, general non-fiction, children's fiction and picture books, plays, film and TV scripts (home 15%, USA/translation 20%, scripts 10%). Represented in all foreign markets. Preliminary letter and return postage Read more
The company employs a staff of 12 people across the different departments. Based in Dublin’s city center, Lisa Richards has been at the heart of the Irish arts and entertainment industry for over fifteen years and represents some of the finest creative talent in Ireland.
Handles fiction and general non-fiction. Approach with proposal and sample chapter for non-fiction and 3-4 chapters and synopsis for fiction (sae essential).
No reading fee. Overseas associate The Marsh Agency for translation rights. Fiction and non-fiction, but represents these for film/TV rights as well.
Also represents actors and playwrights.
was founded in 1989 by Lisa and Richard Cook. Read more
Represents fiction and general non-fiction, children's books, scripts for film, television and theatre. Does not represent poetry, short stories, academic or text books.
(Home 15%, Overseas 20%).
Submission Guidelines: Not currently accepting new submissions. Please refer to our website for updates.
First established as a literary and dramatists' agency in 1896, Sayle ScreenFirst established as a literary and dramatists' agency in 1896, Sayle Screen has evolved into one of London's leading and longest standing independent agencies, now representing writers, directors and producers for film, television, stage and new media
Specialises in scripts for film, TV, theatre and radio. Represents film and TV rights in fiction and non-fiction for The Sayle Literary Agency, Greene and Heaton Ltd and Peter Robinson Ltd. Works in conjunction with agents in New York and Los Angeles.
Preliminary letter and return postage essential. Only accepts submissions by post, no email submissions.
Approximately 100 writers; the agency also represents directors for both film and television.
has evolved into one of London's leading and longest standing independent agencies, now representing writers, directors and producers for film, television, stage and new media Read more
Based in London' s West End for over 30 years, MBA is a leading literary agency representing writers in all media: books, and scripts for film, television, radio and theatre and directors.
No unsolicited submissions.
Fiction and non-fiction, and TV, film, radio and theatre scripts. Read more
'For God's sake, never use a metaphor and then explain it...
You can assume a world from so little and readers will. So I'm more interested economy than encyclopaedism, in how little you can get away with rather than how much you can cram in...
I don't want to write puzzle stories that can be decoded to the correct answer... Read more
Less than a year after an attempt on his life, author Salman Rushdie made a rare public appearance at an awards ceremony Thursday to warn of the dangers of banning books and of related movements in the US to roll back freedoms of expression.
"The information is telling me -" wrote Martin Amis in his 1995 novel The Information. "The information is telling me to stop saying hi and to start saying bye." It was an intimation of mortality typical of Amis, who died on Friday at the age of 73 - as interested in how stylishly the thought was expressed as in what it was expressing.
Accepting the coveted Caldecott medal in 1964, an annual award honouring the "most distinguished American picture book for children", the author Maurice Sendak addressed the rumbles of disapproval his winning book had received from some quarters about it being too frightening by wryly commenting, "Where the Wild Things Are was not meant to please everybody - only children."
The intellectual property rights to the novels of British-South African author Wilbur Smith are up for sale, with ACF investment bank handling the process.
Smith, who died in 2021, published over 50 novels in genres such as adventure and historical fiction. Smith's first novel When the Lion Feeds was published in 1964.
Today in good news, the American Booksellers Association announced that membership is at its highest level in 20 years. Per reporting by Hillel Italie at the Associated Press:
James Daunt keynoted the Association of American Literary Agents programme at Publishers WeeklyInternational news website of book publishing and bookselling including business news, reviews, bestseller lists, commentaries http://www.publishersweekly.com/'s US Book Show in New York this week, telling home truths about Barnes & Noble, the company he has helmed since August 2019, in tandem with running Waterstones.
Do we need to care for authors better, rethink staff workloads and pay more attention to each book? Yes. But the short answer to "can we publish less, but better?" is: not necessarily.
Any bookish person who has ever passed through an airport in the United States will tend to have been struck by a contrast. Airport bookshops in the UK are piled high with thrillers, spy stories, romantic comedies and how-to books: untaxing fare for a long flight. Read more
It is not hard - at all - to trick today's chatbots into discussing taboo topics, regurgitating bigoted content and spreading misinformation. That's why AI pioneer Anthropic has imbued its generative AI, Claude, with a mix of 10 secret principles of fairness, which it unveiled in March. Read more
Almost 60% of LinkedIn's users are between the ages of 25 and 34, making it the single largest demographic to use the platform. And this is a demographic with a willingness to pay for news.
'Never use a metaphor and then explain it'
'For God's sake, never use a metaphor and then explain it...
You can assume a world from so little and readers will. So I'm more interested economy than encyclopaedism, in how little you can get away with rather than how much you can cram in...
I don't want to write puzzle stories that can be decoded to the correct answer... Read more