Our client list is currently full. However, if you have a project that you feel is absolutely a fit for one of us, or questions concerning our clients and their rights, we can be reached at the addresses show. Read more
Fiction, commercial women's fiction, crime and literary fiction. Non-fiction special interests include history, science, popular psychology, self-help and general leisure books. Also children's fiction and non-fiction.
No short stories, poetry, TV, play or film scripts. Not interested in purely academic writers. Read more
Literary fiction, crime writing and writing for children; non-fiction: biography, history, sport, music popular culture. Also adult fiction and general non-fiction. No poetry, science fiction, fantasy or academic.
Represents children's writers and illustrators. No reading fee. See website for submission guidelines. Read more
LAW represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult.
Handles full-length commercial and literary fiction, non-fiction and children’s books. No fantasy (except children’s), no science-fiction, plays, poetry or textbooks. Film/TV scripts are handled for established clients only. Submission guidelines in .pdf on agents website.
All submissions should be sent, in hard copy, by post to: LAW, 14 Vernon Street, London, W14 0RJ.
PLEASE NOTE they do not accept submissions by fax, email (or email attachment) or disk.
represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult. Read more
Fiction and non-fiction (home 15%, overseas 20%). Commercial fiction: thrillers, mysteries, children's, romance, women's, ethnic, science fiction, fantasy and general fiction; also literary fiction with a strong narrative. Non-fiction: current affairs, health, science, psychology, cookbooks, new age, spirituality, pop-culture, adventure, true crime, biography and memoir. Read more
Full-length MSS (home 15%, overseas 20%). Literary and general fiction and non-fiction, popular culture, history, science, teenage fiction. No dramatic scripts, poetry, science fiction or fantasy. No reading fee. Preliminary letter, synopsis, between 5,000 and 10,000 words, ideally the opening chapters and S.A.E essential.
‘I never planned to be a writer at all. For years, maybe even today, sometimes I think, "What exactly am I going to do with my life What is my career going to be? I'm only 80, for God's sake!... I am fascinated by endurance. Human beings really do lead lives of quiet desperation. It's admirable really. Families are basically the only group that can't easily split up.
Since I was a young child I've been fascinated by the identity people get from their families, good and bad, being part of a ‘gang'. The idea that for some people being in a large family gives them protection from the real world. Read more
You would think by now I would know how to make a book of poems. Apparently, I have written six books of poetry. But books are still a mystery to me. I begin, as most poets do, with one poem at a time. I make one poem and then stare at the terrifyingly bright world and convince myself I will never make another poem. Then, I somehow surprise myself and make another poem. Read more
Many years ago, Milwaukee-based book influencer Cree Myles first picked up Toni Morrison's The Bluest Eye and found the validation she didn't know she needed. The book affirmed many of her experiences moving through the world as a Black woman. Read more
The bells of St. Mary-Le-Bow toll eleven o'clock. The narrow streets of London's East End are strangely deserted. Out of the swirling fog comes the clip-clop of horseshoes on cobble. A carriage appears. I squint, struggling to decipher the crest on the carriage door. From within the passenger compartment, a gloved hand emerges. Wait - is that a gun?
During the recent pandemic, when children were going hungry because their parents were destitute, it took the moral authority of a 23-year-old footballer to get them fed. In earlier times it was the job of poets to summon our better angels, in the face of such obvious need. Read more
How difficult it seems, gazing back just seventy years to the late 1940s and 50s, to truly appreciate what a confusing and fraught era it was for our grandparents. The Soviet Union, recently an ally in the Second World War, was increasingly viewed as a threat with Stalin's imposition of the Iron Curtain and acquisition of an atomic bomb. Read more
I still have my first rejection letter from Mills and Boon. They were so encouraging, I tried again, and my next book was accepted. I had studied a law degree, and spent years in a job I hated, as a computer programme manager. Finally, I took redundancy, and that gave me the chance to write. So if you think you have a story in your head - write it down.
After all these years I can actually call myself a professional author. I've collected rejection slips, laboured in magazine writing, perfected my craft and built an audience until Lo! An agent came seeking me. Wanted to know about my book ideas. Wanted to represent me to editors. And proceeded to sell my book to my dream publisher.
The Flavia Albia series is a spin-off from your original Marcus Flaco series. Why did you end the Falco series and switch to his adopted daughter, Flavia? Read more
Publishing is facing "industry-wide burnout" according to a survey conducted by The Bookseller, which revealed 89% of staffers responding to the survey had experienced stress during the course of their work over the last year, while 69% reported burnout. Read more
'Just because you go somewhere it doesn't mean you have a peculiar or vivid or insightful take on the place. Any story takes place in the landscape of the imagination.'
