Our client list is currently full. However, if you have a project that you feel is absolutely a fit for one of us, or questions concerning our clients and their rights, we can be reached at the addresses show. Read more
Fiction, commercial women's fiction, crime and literary fiction. Non-fiction special interests include history, science, popular psychology, self-help and general leisure books. Also children's fiction and non-fiction.
No short stories, poetry, TV, play or film scripts. Not interested in purely academic writers. Read more
Literary fiction, crime writing and writing for children; non-fiction: biography, history, sport, music popular culture. Also adult fiction and general non-fiction. No poetry, science fiction, fantasy or academic.
Represents children's writers and illustrators. No reading fee. See website for submission guidelines. Read more
LAW represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult.
Handles full-length commercial and literary fiction, non-fiction and children’s books. No fantasy (except children’s), no science-fiction, plays, poetry or textbooks. Film/TV scripts are handled for established clients only. Submission guidelines in .pdf on agents website.
All submissions should be sent, in hard copy, by post to: LAW, 14 Vernon Street, London, W14 0RJ.
PLEASE NOTE they do not accept submissions by fax, email (or email attachment) or disk.
represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult. Read more
Fiction and non-fiction (home 15%, overseas 20%). Commercial fiction: thrillers, mysteries, children's, romance, women's, ethnic, science fiction, fantasy and general fiction; also literary fiction with a strong narrative. Non-fiction: current affairs, health, science, psychology, cookbooks, new age, spirituality, pop-culture, adventure, true crime, biography and memoir. Read more
Submission guidelines: BIO (By Invitation Only). Authors can get in touch via email with a synopsis of between 500 - 1,000 words. Authors should then only send in manuscripts if invited to do so. Hard copy manuscripts sent in without invitation will not be read. Read more
'Over the past 20 years, some of the best novels written, as it were, or writing that serves the function of a novel, have been on Netflix and HBO. The writing is complicated, the plotting is complicated. It has subtext, and people are really responding to it in a way that, unfortunately, is not happening with books...
I have a small confession to make: I've never been told I need to cut words from my manuscripts. In fact, I'm the author envious of anyone who needs to do so because I'm the one struggling to get my manuscript up to my target word count. And for a long time, I feared I was the only writer with this issue. Read more
Alice Hoffman, author of numerous adult and young adult books including Practical Magic and Aquamarine, has a new middle grade book, When We Flew Away, a historically based imagining of Anne Frank's life before the family was forced into hiding. Young Anne is grappling with her developing identity within her family and community, at times blissfully happy and others deeply contemplative. Read more
In 2007, after my manuscript had been rejected for the 44th time, a colleague offered to introduce me to a published novelist. It turned out to be Mantel - and I was fortunate enough to soak up her wisdom for the next 15 years
My debut psychological suspense novel, The Bookseller, sold to Harper in 2013 in a pre-empt. I'm not going to lie-it was an amazing deal. The type of deal that compelled me to ask my husband, when I called to break the news, "Are you sitting down?"
'The trouble with science fiction is that you can write about everything: time, space, all the future, all the past, all of the universe, any kind of creature imaginable. That's too big. It provides no focus for the artist. An artist needs, in order to function, some narrowing of focus. Read more
