Our client list is currently full. However, if you have a project that you feel is absolutely a fit for one of us, or questions concerning our clients and their rights, we can be reached at the addresses show. Read more
Fiction, commercial women's fiction, crime and literary fiction. Non-fiction special interests include history, science, popular psychology, self-help and general leisure books. Also children's fiction and non-fiction.
No short stories, poetry, TV, play or film scripts. Not interested in purely academic writers. Read more
Literary fiction, crime writing and writing for children; non-fiction: biography, history, sport, music popular culture. Also adult fiction and general non-fiction. No poetry, science fiction, fantasy or academic.
Represents children's writers and illustrators. No reading fee. See website for submission guidelines. Read more
Fiction and non-fiction (home 15%, overseas 20%). Commercial fiction: thrillers, mysteries, children's, romance, women's, ethnic, science fiction, fantasy and general fiction; also literary fiction with a strong narrative. Non-fiction: current affairs, health, science, psychology, cookbooks, new age, spirituality, pop-culture, adventure, true crime, biography and memoir. Read more
LAW represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult.
Handles full-length commercial and literary fiction, non-fiction and children’s books. No fantasy (except children’s), no science-fiction, plays, poetry or textbooks. Film/TV scripts are handled for established clients only. Submission guidelines in .pdf on agents website.
All submissions should be sent, in hard copy, by post to: LAW, 14 Vernon Street, London, W14 0RJ.
PLEASE NOTE they do not accept submissions by fax, email (or email attachment) or disk.
represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult. Read more
Kate Thompson was horrified to discover that her book, The Sunday Times bestseller, A Mother's Promise, had been plagiarised and rewritten by AI - just days after publication. And then it happened again.
On Saturday, the Trump administration fired Shira Perlmutter, the register of copyrights and director of the U.S. Copyright OfficeThe US copyright office has information on its website about how to register and what advantages there are in doing so. www.copyright.gov/register/, just two days after the dismissal of Librarian of Congress Carla Hayden, under whose auspices the U.S. Copyright Office operates. Perlmutter was appointed by Hayden in 2020.
Protection of copyright has always been a top priority for the Association of American PublishersThe national trade association of the American book publishing industry; AAP has more than 300 members, including most of the major commercial publishers in the United States, as well as smaller and non-profit publishers, university presses and scholarly societies, and that point was driven home again during the organization's annual meeting held via Zoom on May 8. Read more
Mark Price has said he has been advised that there are "two grounds on which a legal case could realistically be pursued" against Meta in the UK for the company's use of pirated books to train artificial intelligence (AI) models. Read more
When readers first met her in The Golden Compass (first published in the U.K. in 1995 as Northern LightsHandy site which provides links to 7,500 US publishers' sites and online catalogues. www.lights.com/publisher/), Lyra Belacqua was a young orphan, hiding in a wardrobe at Oxford's Jordan College, spying on the scholars she lived among in a world with some parallels to our own. Read more
Conduit Books will not ‘seek an adversarial stance ... but the emphasis at first will be on ambitious, funny, political and cerebral fiction by men that is being passed by'
