Our client list is currently full. However, if you have a project that you feel is absolutely a fit for one of us, or questions concerning our clients and their rights, we can be reached at the addresses show. Read more
Fiction, commercial women's fiction, crime and literary fiction. Non-fiction special interests include history, science, popular psychology, self-help and general leisure books. Also children's fiction and non-fiction.
No short stories, poetry, TV, play or film scripts. Not interested in purely academic writers. Read more
Literary fiction, crime writing and writing for children; non-fiction: biography, history, sport, music popular culture. Also adult fiction and general non-fiction. No poetry, science fiction, fantasy or academic.
Represents children's writers and illustrators. No reading fee. See website for submission guidelines. Read more
LAW represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult.
Handles full-length commercial and literary fiction, non-fiction and children’s books. No fantasy (except children’s), no science-fiction, plays, poetry or textbooks. Film/TV scripts are handled for established clients only. Submission guidelines in .pdf on agents website.
All submissions should be sent, in hard copy, by post to: LAW, 14 Vernon Street, London, W14 0RJ.
PLEASE NOTE they do not accept submissions by fax, email (or email attachment) or disk.
represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult. Read more
Fiction and non-fiction (home 15%, overseas 20%). Commercial fiction: thrillers, mysteries, children's, romance, women's, ethnic, science fiction, fantasy and general fiction; also literary fiction with a strong narrative. Non-fiction: current affairs, health, science, psychology, cookbooks, new age, spirituality, pop-culture, adventure, true crime, biography and memoir. Read more
Bells and whistles? The use of bold, italics and capital letters in prose fiction
There are times when, no matter how well you write, you need typographical support to emphasise a point. English is a wonderfully flexible and suggestive language, but it can't do everything by itself, and replacing plain type with, for instance, italics, can really help the reader to understand what's happening in your story. Read more
‘I do think the scope of what studios can do has really proved itself in modern live-action adaptations of fantasy novels. Game of Thrones and Lord of the Rings were so huge in scope and delivery that people were able to imagine epic fantasy in live action as something that felt tangible.
Hard times are coming, when we'll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We'll need writers who can remember freedom - poets, visionaries - realists of a larger reality. Read more
A growing number of states, cities, and districts are now requiring schools to teach phonics. In other words, to teach kids how to read. That's welcome news for a country that's suffered from dismal reading outcomes for decades and now also contends with persistent COVID-19-wrought learning losses.
What happens when a well-known children's book author switches genres after decades of writing fantasy and historical fiction for middle grade and young adult readers? Kathryn Lasky the award-winning children's book author is doing just that. Read more
Alex Aster grips a tall Starbucks hot chocolate in her right hand as she guides me through the second floor of the world's largest Barnes & Noble bookstore.
"I come here several times a week," she says, pointing to a corner of the Young Adult section that often acts as a background for her many viral TikToks. "I usually stack two or three books to create a sort of stand." Read more
Why do some murder mysteries sell more copies than others? There are countless possible explanations. I'd like to focus on one: the impossibility of the murder. Perhaps the most recognizable example of an impossible murder is the locked-room mystery. But there are infinite possibilities. Read more
I'm often asked what it means to be working class, how you define it and why it's even important to make the distinction in the first place. If I'm honest, I'd never really given these questions much thought until I seriously considered becoming a writer, and then I quickly realised that my background really did matter - and not always for the best reasons. Read more
When I set out to write a thriller in which my protagonist was in mortal peril no later than the end of the first paragraph, I knew I wanted to include something about the Enigma machine, the encoding device used by the Axis during World War II, and about the successful British effort to break the supposedly unbreakable Enigma code which took place at Bletchley Park. Read more
I have long been an anxious writer. Every sentence written reminds me of the hundreds more that could have stood in its place, missed opportunities for assonance or characterization, clauses left dependent that could have-should have-been made independent. Read more
In a novel, an effective setting transports the reader, immersing them in the narrative and creating a believable physical environment where plot can flourish. Read more
'To be a writer is to sit down at one's desk in the chill portion of every day, and to write; not waiting for the little jet of the blue flame of genius to start from the breastbone - just plain going at it, in pain and delight. To be a writer is to throw away a great deal, not to be satisfied, to type again, and then again, and once more, and over and over....'
