Our client list is currently full. However, if you have a project that you feel is absolutely a fit for one of us, or questions concerning our clients and their rights, we can be reached at the addresses show. Read more
Fiction, commercial women's fiction, crime and literary fiction. Non-fiction special interests include history, science, popular psychology, self-help and general leisure books. Also children's fiction and non-fiction.
No short stories, poetry, TV, play or film scripts. Not interested in purely academic writers. Read more
Literary fiction, crime writing and writing for children; non-fiction: biography, history, sport, music popular culture. Also adult fiction and general non-fiction. No poetry, science fiction, fantasy or academic.
Represents children's writers and illustrators. No reading fee. See website for submission guidelines. Read more
LAW represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult.
Handles full-length commercial and literary fiction, non-fiction and children’s books. No fantasy (except children’s), no science-fiction, plays, poetry or textbooks. Film/TV scripts are handled for established clients only. Submission guidelines in .pdf on agents website.
All submissions should be sent, in hard copy, by post to: LAW, 14 Vernon Street, London, W14 0RJ.
PLEASE NOTE they do not accept submissions by fax, email (or email attachment) or disk.
represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult. Read more
Fiction and non-fiction (home 15%, overseas 20%). Commercial fiction: thrillers, mysteries, children's, romance, women's, ethnic, science fiction, fantasy and general fiction; also literary fiction with a strong narrative. Non-fiction: current affairs, health, science, psychology, cookbooks, new age, spirituality, pop-culture, adventure, true crime, biography and memoir. Read more
‘Before the actual placing of words on pages, The Testaments was written partly in the minds of the readers of its predecessor, The Handmaid's Tale, who kept asking what happened after the end of that novel. Thirty-five years is a long time to think about possible answers, and the answers have changed as society itself has changed and as possibilities have become actualities.
The historical novels The Book Woman of Troublesome Creek and The Giver of Stars, published a few months apart, share some noticeable similarities. Book Woman author Kim Michele Richardson has raised concerns; Moyes denies having read Richardson's book.
For Martina Myers, a high school English teacher on the Navajo reservation in Arizona, Sherman Alexie's novel "The Absolutely True Diary of a Part-Time Indian" seemed too good to be true: funny, well-crafted and focused on Native American youth. Read more
Whether you're writing a novel, memoir or how-to book, a manuscript evaluation can be an economical opportunity to have your work reviewed by a professional editor before you begin querying and submitting. Read more
When my first book was published last year I wasn't prepared for how unhinged I would become. I'd expected review-induced nerves and worries that swung from "No one will read it" to "Oh God, someone is actually going to read it". But I hadn't foreseen the appearance of a wholly one-sided and indecorous obsession with another author.
Author Jacqueline Woodson recently spoke about books being either mirrors or windows. Mirrors for seeing ourselves, and windows for seeing into other worlds. Growing up, I enjoyed both types of books, from the realistic contemporary fiction of Judy Blume to the epic fantasy of JRR Tolkien. Read more
Publishing is an industry that can move slowly. Books can take years to write, and then a few more years to publish. There are exceptions, though, and the case of Regan Rose, whose debut novel just sold to Pamela Dorman for high six figures, is unquestionably one. Read more
‘Before the actual placing of words on pages, The Testaments was written partly in the minds of the readers of its predecessor, The Handmaid's Tale, who kept asking what happened after the end of that novel. Thirty-five years is a long time to think about possible answers, and the answers have changed as society itself has changed and as possibilities have become actualities. Read more
‘If you know exactly what you are going to say in a poem, that poem will be a failure. Besides, there is no interest or fun, in saying what you already know.'
'I only really care about my readers. But I've always been irritated by the lazy assumption among critics that what I do is somehow easier than what ‘literary' novelists do. It's actually quite the reverse - to write something to please millions is obviously harder than doing something that only has to please thousands. I also think that genre writers have a greater responsibility.
This summer, author Megan Miranda won the publishing lottery.
Miranda, who writes thrillers and young-adult novels, is the kind of author that publishers usually call midlist. She's well established, and one of her books has even been a New York Times bestseller, yet outside of her genre, she's not exceptionally famous.
'What happened after the end of that novel'
‘Before the actual placing of words on pages, The Testaments was written partly in the minds of the readers of its predecessor, The Handmaid's Tale, who kept asking what happened after the end of that novel. Thirty-five years is a long time to think about possible answers, and the answers have changed as society itself has changed and as possibilities have become actualities. Read more