We represent literary fiction, quality commercial fiction, thrillers, suspense, children and young adult fiction, biographies and a few non fiction works.
We don't represent horror, Sci Fi and poetry. Read more
Services To help writers reach their full potential through detailed advice, constructive criticism, and market directed input across the full range of technical and artistic requirements for approaching the market including: plot, characters, dramatic narrative momentum, style, grammar, punctuation, pace. Read more
Literary fiction, crime writing and writing for children; non-fiction: biography, history, sport, music popular culture. Also adult fiction and general non-fiction. No poetry, science fiction, fantasy or academic.
Represents children's writers and illustrators. No reading fee. See website for submission guidelines. Read more
All fiction, especially crime, women's commercial, general and literary fiction; all non-fiction, especially biography, history, health, cooking, arts and crafts.
No science fiction, horror, fantasy, short stories, poetry, academic books.
No reading fee. Send introductory letter describing work, first 3 chapters and sae.
Commercial and literary fiction and non-fiction, children's fiction (home 15%, overseas 20%). Submissions only by email. No reading fee. Will suggest revision where appropriate. See website for up-to-date submission requirements.
Does not accept poetry, short stories, screenplays, science fiction or fantasy for adults. Not currently looking for picture books. Read more
Handles novels and non-fiction of high quality, including reference works (12.5%). Does not represent children's books, crime, erotica, fantasy, murder mysteries, occult, science fiction or thrillers.
DGA is a small agency, representing a range of non-fiction and literary fiction. Does not represent any reference, science fiction, fantasy, self-help, teen or children’s books, poetry or collections of short stories.
Send in the first three chapters of your work (or about 50 pages) with a brief synopsis and covering letter. If you would like your manuscript returned, please include the correct postage and packaging. If you would prefer a response from the agency via email then just provide your email address. Does not accept any submissions via email.
Please do not contact the office to check on the status of your submission as they do not keep records of manuscripts received. If your submission is of interest, they will contact you directly.
Founded 1995.
is a small agency, representing a range of non-fiction and literary fiction. Does not represent any reference, science fiction, fantasy, self-help, teen or children’s books, poetry or collections of short stories. Read more
'Well, the first six weeks I was not doing any writing at all. It was all about making sure the kids were all right and everyone was in a good mental state. Then, I thought maybe I can work for an hour or two a day and it was really hard work getting back in the groove. But, hey, the books aren't going to write themselves.
Nathan Bryon and Dapo Adeola have won the Waterstones children's book prize for their "utterly joyful" picture book about a science-loving black girl, Look Up!, at a time when only 4% of British children's books contain a black or minority ethnic main character. Read more
When Stephenie Meyer decided this year to release "Midnight Sun," a retelling of her best-selling "Twilight" novel from the vampire's point of view, she thought: "No one can possibly care about it anymore." Read more
As much of the retail world faces crisis, book publishing is positioned to grow in terms of unit sales when compared to 2019. In fact, 2020 may prove to be one of the strongest sales years in recent memory.
Before the stay-at-home orders came down in Baltimore, the last thing I did in person was participate in a panel conversation about-ironically-"art and the apocalypse." In retrospect, we should have cancelled, but the threat in Maryland still felt surreal; those were the days when it seemed like we could beat the pandemic by washing our hands.
Thabiso Mahlape is the founder of Blackbird Books in South Africa, an independent publishing house that is dedicated to giving young black writers a platform (www.blackbirdbooks.africa)... In between juggling submissions, proofs and sales, Mahlape is a columnist: she writes regularly for the Sowetan newspaper and has contributed to magazines such a Destiny and VISI. Read more
When I started writing my current novel, Paris Never Leaves You, I had no idea the protagonist, a young widow struggling to survive in Occupied Paris, would end up working in a New York publishing house. I knew she would get to America, but I assumed she would enter the fashion or beauty business as had many of the émigrés I'd known or read about who fled Europe after World War II. Read more
With Labor Day only five weeks away, it has become clear that a substantial number of publishers, both in New York City and elsewhere, will not be returning to their offices in anything resembling full force before 2021. Moreover, organizers of a few industry events set for early next year have already announced they will be moving them from in-person to online. Read more
Grandmother did most of her work in bed. She had a special tray with folding legs that served as a desk. She would sit up against a stack of pillows, with a cashmere cardigan over her nightdress, and write longhand on loose sheets of foolscap. Pots of tea were ferried to her by my grandfather, who would have been fully dressed in a tweed jacket and tie and working from his study downstairs. Read more
How to write dialogue is one of the first things a budding storyteller can master with just a bit of practice and effort. That's not to say that writing dialogue is easy- it's not. But, once you realize the purpose of dialogue in a story and hone in on all those pesky formatting rules, it can become intuitive. Read more
Two £10,000 prizes are awarded: the Manchester Poetry Prize for best portfolio of poems and the Manchester Fiction Prize for best short story
The Manchester Writing Competition offers the UK's biggest literary awards for unpublished work, offered by the country's most successful writing school. The Competition was established in 2008 by Carol Ann Duffy (UK Poet Laureate 2009-19) and has awarded more than £195,000 to writers. Read more
'Rejection slips, or form letters, however tactfully phrased, are lacerations of the soul, if not quite inventions of the devil - but there is no way around them.'
