We represent literary fiction, quality commercial fiction, thrillers, suspense, children and young adult fiction, biographies and a few non fiction works.
We don't represent horror, Sci Fi and poetry. Read more
Services To help writers reach their full potential through detailed advice, constructive criticism, and market directed input across the full range of technical and artistic requirements for approaching the market including: plot, characters, dramatic narrative momentum, style, grammar, punctuation, pace. Read more
Literary fiction, crime writing and writing for children; non-fiction: biography, history, sport, music popular culture. Also adult fiction and general non-fiction. No poetry, science fiction, fantasy or academic.
Represents children's writers and illustrators. No reading fee. See website for submission guidelines. Read more
All fiction, especially crime, women's commercial, general and literary fiction; all non-fiction, especially biography, history, health, cooking, arts and crafts.
No science fiction, horror, fantasy, short stories, poetry, academic books.
No reading fee. Send introductory letter describing work, first 3 chapters and sae.
Commercial and literary fiction and non-fiction, children's fiction (home 15%, overseas 20%). Submissions only by email. No reading fee. Will suggest revision where appropriate. See website for up-to-date submission requirements.
Does not accept poetry, short stories, screenplays, science fiction or fantasy for adults. Not currently looking for picture books. Read more
Handles novels and non-fiction of high quality, including reference works (12.5%). Does not represent children's books, crime, erotica, fantasy, murder mysteries, occult, science fiction or thrillers.
DGA is a small agency, representing a range of non-fiction and literary fiction. Does not represent any reference, science fiction, fantasy, self-help, teen or children’s books, poetry or collections of short stories.
Send in the first three chapters of your work (or about 50 pages) with a brief synopsis and covering letter. If you would like your manuscript returned, please include the correct postage and packaging. If you would prefer a response from the agency via email then just provide your email address. Does not accept any submissions via email.
Please do not contact the office to check on the status of your submission as they do not keep records of manuscripts received. If your submission is of interest, they will contact you directly.
Founded 1995.
is a small agency, representing a range of non-fiction and literary fiction. Does not represent any reference, science fiction, fantasy, self-help, teen or children’s books, poetry or collections of short stories. Read more
‘First of all, I'm always writing from a point of view. I decide what the purpose of the scene is, and at least begin with some purpose. But, even more important, from whose point of view is this scene seen?
With the hindsight of history, the Booker misses plenty of tricks. In 1986, The Handmaid’s Tale, one of the most vital and prescient works of modern fiction, was pipped to the prize by Kingsley Amis’s The Old Devils. With Margaret Atwood now elevated to the status of a contemporary prophet, 2019 may have seemed like an opportunity to redress that mistake. Read more
In a shock move, last night Margaret Atwood and Bernardine Evaristo were announced as the joint winners of the Booker Prize 2019 at a ceremony at Guildhall in London. The pair will share the £50,000 prize money after the judges 'broke the rules' to award the prize to both authors. Read more
Twenty years before Peter Handke would become a Nobel laureate, he won another title. In 1999, Salman Rushdie named him the runner-up for "International moron of the year" in the Guardian, for his "series of impassioned apologias for the genocidal regime of Slobodan Milošević". (The winner was actor Charlton Heston, for being a gun lobbyist.) Read more
Let me tell you a story. A few years ago, months after this riven old island voted to leave the European Union, and days after an ex-reality TV host became the leader of the free world, a writer happened to win an award. In her speech she thanks this country which has been her home for half her life. She thanks it for valuing her book, for valuing her at this historic moment in time. Read more
Seamus Heaney was real. Were he a fictional character, however, we likely would call him unrealistic, his life story and his career too good to be true. Like Robert Frost and W. H. Auden, but perhaps with fewer missteps and regrets, Heaney became the sort of modern poet whose best-known phrases circulate without attribution.
In the Golden Age of British detective fiction in the 1920s and 1930s, four women were universally considered the four Queens-Agatha Christie, Margery Allingham, Ngaio Marsh, and Dorothy L. Sayers (don't forget the middle initial, please, she was most adamant about that). Read more
Is Netflix a friend or foe to the book business? That question was addressed by the Global 50 CEO Talk 2019, which featured a conversation with Kelly Luegenbiehl, VP International Originals of Netflix, hosted by publishing consultant Ruediger Wischenbart and with the editors of global trade journals.
The number of books self-published in the U.S. saw more rapid growth in 2018, jumping 40% over 2017, according to Bowker's annual survey of the self-publishing market. In its report, "Self-Publishing in the United States, 2013-2018: Print and E-books," the total number of print and e-books that were self-published in 2018 was 1.68 million, up from 1.19 million in 2017.
Julia Wisdom, publisher at HarperFiction, has bought UK and Commonwealth (excluding Canada) rights to Girl A and The Conspiracies in a six-figure deal with debut author Abigail Dean. Juliet Mushens negotiated the deal at a nine-way auction after turning down two "significant" six-figure pre-empts within 48 hours of submission. Read more
‘First of all, I'm always writing from a point of view. I decide what the purpose of the scene is, and at least begin with some purpose. But, even more important, from whose point of view is this scene seen? Because then the narrative will take on somewhat the sound of the person who is seeing the scene... Read more
‘The first thing you must remember: An editor does not add to a book. At best he serves as a handmaiden to an author. Don't ever get to feeling important about yourself, because an editor at most releases energy. He creates nothing.'
'I like third person'
‘First of all, I'm always writing from a point of view. I decide what the purpose of the scene is, and at least begin with some purpose. But, even more important, from whose point of view is this scene seen? Because then the narrative will take on somewhat the sound of the person who is seeing the scene... Read more