We represent general and mainstream fiction. This includes, but is not limited to, romance, mystery, YA, sci-fi, and fantasy. We also accept submissions from authors, agents, and publishers who would like to self-publish an original title on eBook. We do not represent nonfiction titles. Read more
We represent literary fiction, quality commercial fiction, thrillers, suspense, children and young adult fiction, biographies and a few non fiction works.
We don't represent horror, Sci Fi and poetry. Read more
Our client list is currently full. However, if you have a project that you feel is absolutely a fit for one of us, or questions concerning our clients and their rights, we can be reached at the addresses show. Read more
Rocking Chair Books is a literary agency focusing on literary fiction, upmarket commercial, and commercial fiction and general non-fiction for publication around the world. Our motto is a great story is a great story.
No reading fee.
We represent Brian Turner, Zena el Khalil, Lakambini Sitoy, Conflict Relief, Elle Symmonds.
Literary and commercial fiction and non-fiction. Contemporary and historical novels, crime, thrillers, women's fiction, memoirs, history and biography. No reading fee. Will suggest revision.
The Darley Anderson Literary, TV and Film AgencyThe Darley Anderson Literary, TV and Film Agency was founded in 1988 by ex-publisher Darley Anderson and is based in London with a regional office in the book town of Hay-on-Wye on the English/Welsh borders. Member of Association of Authors' Agents. was founded in 1988 by ex-publisher Darley Anderson and is based in London with a regional office in the book town of Hay-on-Wye on the English/Welsh borders.
Commission : 20% for film/TV/radio. Has an association with APA Talent & Literary Agency in Hollywood. Read more
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more
Open to unpublished and unagented writers from around the world.
No entry fee
Prize:
Prize of £3,000; publication with Tortoise Media; literary representation by RCW literary agent Laurence Laluyaux and other prizes
Fern Press and How to Academy have partnered on a new essay award worth £3,000, in association with Tortoise Media, for unpublished authors.
Fern Press was launched by Vintage last year, while the annual non-fiction essay prize is "for those working at the frontier of creativity and thought", organisers said. Read more
It's not a pretty word, 'blurb'; it smacks of nonsense, or slightly less than entirely honest marketing. Which is unfortunate, because a blurb is a useful and necessary thing; without it, your book is at risk of being a blank text, what you might call a closed book. Read more
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there"... Writing in lockdown, 'So that was a bit of freedom in a way, I didn't have any expectations almost.
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there". Read more
Waterstones managing director James Daunt said social media is reinforcing the reading of "proper" paper books among young people.
Mr Daunt, who is also chief executive of Barnes & Noble, said social media trends such as 'BookTok' on TikTok had been "hugely positive", as he was made a CBE for his services to publishing by the Princess Royal.
A new generation of romance novel consumers has moved a long-standing three-way conversation between reader, writer and publisher onto social media, industry insiders say, speeding up an already fast-moving segment of the publishing world.
When you are next visiting a bookstore, and find your way to the children's section, you might be forgiven for thinking that there is no longer such a thing as a children's author. Instead, you will be ambushed by piles of books blazoned with the names of actors, singers, comedians, DJs and people who generously exhibit themselves on social media.
A federal judge in California this week dismissed four of six claims made by authors in a now consolidated lawsuit alleging that Open AI infringes their copyrights. But the court gave the authors a month to amend their complaint, and the suit's core claim of direct infringement-which Open AI did not seek to dismiss-remains active.
For budding authors, the submissions process can be daunting. For anyone with little understanding of the publishing industry and how it works, it can be even more so. And for anyone whose writing sits outside of the established ideas of genre, style or content, it can be utterly baffling as to how to present that to an agent or publisher.
'The writer who possesses the creative gift owns something of which he is not always master - something that at times strangely wills and works for itself.'
Children's creativity
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more