Sells rights internationally on behalf of UK/US agencies and publishers. Agent for UK and international authors, including children's writers. Fiction, non-fiction and children's fiction. Does not represent children's picture books, poetry or scripts for film, T.V, radio or theatre.
Represents authors of fiction and non-fiction, children's writers, screenwriters, playwrights, documentary makers, technicians, presenters and public speakers throughout the world.
Has 85 years of international experience in all media.
Children's fiction and non-fiction (10%+GST). Handles picture books, fiction for 5-8 and 9-12 year-olds, teenage fiction, series fiction, film/TV tie-ins, non-fiction and plays.
Also handles adult fiction and non-fiction, plays, feature film and TV scripts, visual artists and composers; 60% of list is for children's market. Read more
'I was trained by poetry where you can just write ambience and atmosphere. But in a novel, if there's not a story that people are interested in, with characters that they care about, they'll close the book.'
In the third in a series on the implications of AI for publishing, Nadim Sadek argues that effective advertising is now feasible for everyone, and for all kinds of titles
A publishing friend of mine recently told me about a sales report they'd received from a major retailer in which some of their books had zero sales. It turned out that there had been plenty of sales, however-they just all went to counterfeiters. In case you think this is an outlier, it's not. Counterfeiting is a serious, nontrivial problem facing the industry.
If you read the recently unsealed materials from the federal antitrust lawsuit against Amazon, you'll see why the company wanted to keep them under wraps. According to the unredacted notes from one meeting, Jeff Bezos directed his team to stuff more ads into search results, even if it meant accepting more ads internally categorized as irrelevant to what users were looking for. Read more
The U.K. Publishers Association (PA) was established in 1896 and is a cornerstone of the British publishing industry, working with a diverse array of companies to promote innovation, collaboration, and commercial success. Read more
With English as a shared language, there is a natural relationship between the American and British publishing industries. Most of the world's top publishing companies, be they conglomerates or independent publishers, have operations in each country, typically in New York City and London. Literary traffic travels both ways across the Atlantic.
The UK is experiencing a boom in book clubs, according to new data from event listing companies.
Book club listings on the ticketing site Eventbrite increased by 350% between 2019 and 2023 - a "much stronger" growth than the overall increase in UK-based listings over the same period. Between 2022 and 2023 alone, book club listings on the site rose by 41%. Read more
"We don't understand the consequences of AI with regards to copyright," Brazil's Karine Gonçalves Pansa, president of the International Publishers Association (IPA), said, when asked to name the most important issues facing publishing right now. "We can say, very easily, that our content is being used, without permission, and without license, by AI."
'It is true that publishers try to stop me from writing anything but mysteries, but whenever they do, I go to another publisher. And they know I'm going to do that, so they have to make some kind of room for me.'