'As a barrister, that learned skill, the ability to tell a passionate, engaging story to twelve complete strangers and to take them with me when I do it? That's storytelling' Read more
In this article, writer and NCW Academy tutor Molly Naylor shares five aspects of scriptwriting that she found the trickiest to absorb early in her writing journey.
Description is critical in good, immersive fiction. It first and foremost enables the reader to richly imagine the world that a writer has created. But good description does more than provide the sensory and physical details crucial in setting, characterization, action, and world building. Read more
When I mentioned to friends and colleagues that I was thinking of writing a memoir focused on my mother, they looked quizzical. Why would I bother switching genres after so many years writing successful fiction?
I do not write character studies or atmospheric stories contemplating the nature of good and evil. I write foot-to-the-floor page-turners that race from start to finish, featuring whipsawing plot twists and surprise endings. (A recent review suggested that readers should send me their chiropractic bills.)
I've been leading writing workshops for over 20 years and am still gobsmacked by how stubbornly writers cling to certain myths that suck up a lot of emotional energy, and reinforce practices that undermine the creative process. Read more
This venerable nugget of writing advice is often attributed to William Faulkner, though in fact the British writer Arthur Quiller-Couch said it first. In a 1913-1914 series of published lectures at Cambridge University titled On the Art of Writing, Quiller-Couch said: Read more
Every writer has had it drilled into them at some point. It's one of the most familiar bits of writing advice there is: "Write what you know." And it makes so much sense-it worked for John Grisham and Kathy Reichs, right?
Wanda Whiteley on the six things she learned as she moved from editor to author, as well as some things to consider once you have a manuscript that you're happy with.
I still have my first rejection letter from Mills and Boon. They were so encouraging, I tried again, and my next book was accepted. I had studied a law degree, and spent years in a job I hated, as a computer programme manager. Finally, I took redundancy, and that gave me the chance to write. So if you think you have a story in your head - write it down.
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more
Open to unpublished and unagented writers from around the world.
No entry fee
Prize:
Prize of £3,000; publication with Tortoise Media; literary representation by RCW literary agent Laurence Laluyaux and other prizes
Fern Press and How to Academy have partnered on a new essay award worth £3,000, in association with Tortoise Media, for unpublished authors.
Fern Press was launched by Vintage last year, while the annual non-fiction essay prize is "for those working at the frontier of creativity and thought", organisers said. Read more
It's not a pretty word, 'blurb'; it smacks of nonsense, or slightly less than entirely honest marketing. Which is unfortunate, because a blurb is a useful and necessary thing; without it, your book is at risk of being a blank text, what you might call a closed book. Read more
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there"... Writing in lockdown, 'So that was a bit of freedom in a way, I didn't have any expectations almost.
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there". Read more
Waterstones managing director James Daunt said social media is reinforcing the reading of "proper" paper books among young people.
Mr Daunt, who is also chief executive of Barnes & Noble, said social media trends such as 'BookTok' on TikTok had been "hugely positive", as he was made a CBE for his services to publishing by the Princess Royal.
A new generation of romance novel consumers has moved a long-standing three-way conversation between reader, writer and publisher onto social media, industry insiders say, speeding up an already fast-moving segment of the publishing world.
When you are next visiting a bookstore, and find your way to the children's section, you might be forgiven for thinking that there is no longer such a thing as a children's author. Instead, you will be ambushed by piles of books blazoned with the names of actors, singers, comedians, DJs and people who generously exhibit themselves on social media.
A federal judge in California this week dismissed four of six claims made by authors in a now consolidated lawsuit alleging that Open AI infringes their copyrights. But the court gave the authors a month to amend their complaint, and the suit's core claim of direct infringement-which Open AI did not seek to dismiss-remains active.
For budding authors, the submissions process can be daunting. For anyone with little understanding of the publishing industry and how it works, it can be even more so. And for anyone whose writing sits outside of the established ideas of genre, style or content, it can be utterly baffling as to how to present that to an agent or publisher.
'The trouble with science fiction is that you can write about everything: time, space, all the future, all the past, all of the universe, any kind of creature imaginable. That's too big. It provides no focus for the artist. An artist needs, in order to function, some narrowing of focus. Read more
Children's creativity
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more