It was another era. Not easier, but maybe not quite so crazy hectic as today. The stakes were still high, and in their day - the early 1980s-getting your first book published was still hard work. In many ways, harder.
'Reading thrillers is like solving a puzzle. I enjoy the challenge of trying to peer beyond the author's smoke and mirrors and identify what's really going on' Read more
Whenever I teach on nonfiction book proposals, I open up the conversation by talking about market potential ($) and how to convince agents or editors that your project has it.
I'd been querying agents for nearly two years when I got a promising email. After some kind rejections and a couple of "I really like this but-" close calls that break your heart, this agent's enthusiasm made my pulse race. "Imagine my surprise and delight when I saw your name," she wrote, describing herself as a fan of my newsletter. Read more
Writers are the lifeblood of the publishing industry. I would expect agents and publishers, who work with them every day-and whose livelihood depends on them-to understand and respect writers. Most agents and publishers would claim that they do. But an industry practice that began some time ago, and has increased dramatically in recent years, belies that. Read more
So, you've finished your manuscript and are eager to share your work with literary agents. One question I'm always asked by students is: How do you write the perfect pitch letter to a literary agent? Here are my top 15 tips on how to make your submission pitch letter stand out from the pack:
Pitching a manuscript isn't for cowards, the thin skinned, or those with no endurance. Believing your project is worthy, truly believing in it, is required, as is the patience of a saint.
Submission guidelines: BIO (By Invitation Only). Authors can get in touch via email with a synopsis of between 500 - 1,000 words. Authors should then only send in manuscripts if invited to do so. Hard copy manuscripts sent in without invitation will not be read. Read more
'Over the past 20 years, some of the best novels written, as it were, or writing that serves the function of a novel, have been on Netflix and HBO. The writing is complicated, the plotting is complicated. It has subtext, and people are really responding to it in a way that, unfortunately, is not happening with books...
I have a small confession to make: I've never been told I need to cut words from my manuscripts. In fact, I'm the author envious of anyone who needs to do so because I'm the one struggling to get my manuscript up to my target word count. And for a long time, I feared I was the only writer with this issue. Read more
Alice Hoffman, author of numerous adult and young adult books including Practical Magic and Aquamarine, has a new middle grade book, When We Flew Away, a historically based imagining of Anne Frank's life before the family was forced into hiding. Young Anne is grappling with her developing identity within her family and community, at times blissfully happy and others deeply contemplative. Read more
In 2007, after my manuscript had been rejected for the 44th time, a colleague offered to introduce me to a published novelist. It turned out to be Mantel - and I was fortunate enough to soak up her wisdom for the next 15 years
My debut psychological suspense novel, The Bookseller, sold to Harper in 2013 in a pre-empt. I'm not going to lie-it was an amazing deal. The type of deal that compelled me to ask my husband, when I called to break the news, "Are you sitting down?"
'The reader has certain rights. He bought your story. Think of this as an implicit contract. He's entitled to be entertained, instructed, amused; maybe all three. If he quits in the middle, or puts the book down feeling his time has been wasted, you're in violation.'