Someone on Facebook recently posted to ask me about how to restructure an entire book if it needs a bit of an overhaul. This is something I work with authors on at Avon, and it's also something I had to do for my own book, so I do have a few tips on the best way to approach this. Read more
Will Self is the author of 10 novels, five collections of short stories and several works of nonfiction, including The Quantity Theory of Insanity, Dorian and Walking to Hollywood. Phone is the final instalment of the trilogy that began with Umbrella and Shark and is out now in paperback (Viking, £8.99).
I do not think it is a coincidence that the novel as a form reaches maturity at the same point as the bourgeoisie as a class are ascendant. Although the novel has its forerunners and predecessors - Boccaccio, Rabelais, Cervantes, de la Fayette - it gets into its stride with affluent, middle-class white men: Richardson, Fielding, Sterne, Smollett.
Many years ago, when I had just started writing books about philosophy, I got talking to two of my newly acquired peers. I asked one what he was currently working on, which as conversational gambits go is about as original as asking a novelist where she gets her ideas from. Having heard his answer, I perhaps tactlessly noted that quite a lot of books had recently appeared on this subject. Read more
Emily Dickinson said, over a century ago, that "There is no frigate like a book to take us Lands away," and it's true. When we pick up a book, turn on the TV, or watch a movie, we are carried away down the currents of story into a world of imagination. And when we land, once more, on a shore that is both new and familiar, something strange happens. Stepping onto the shore, we're changed. Read more
I'm tired of reading about the death of the book. It's not true, in the first place, and in the second, it's a lazy signifier, a way of addressing cultural import (or risk) that's not really justified. Read more
The days of slowly introducing a reader to a novel are over. Authors now believe that their first sentence is crucial if they are going to hold their reader's attention because they are so easily distracted by modern technology such as iPads. Read more
In a well-informed article on the Authors' Licensing and Collecting Society site, Danuta Kean asks if Google is doing enough to deal with the copyright infringements of file-sharing sites.
As Hilary Mantel carries off the Costa to add to her second Booker win, Sameer Rahim in the Telegraph comments: 'The richness of its language and psychological penetration cannot hide the fact that Wolf Hall and Bring Up the Bodies can be read as posh Philippa Gregory.'
'I was trained by poetry where you can just write ambience and atmosphere. But in a novel, if there's not a story that people are interested in, with characters that they care about, they'll close the book.'
In the third in a series on the implications of AI for publishing, Nadim Sadek argues that effective advertising is now feasible for everyone, and for all kinds of titles
A publishing friend of mine recently told me about a sales report they'd received from a major retailer in which some of their books had zero sales. It turned out that there had been plenty of sales, however-they just all went to counterfeiters. In case you think this is an outlier, it's not. Counterfeiting is a serious, nontrivial problem facing the industry.
If you read the recently unsealed materials from the federal antitrust lawsuit against Amazon, you'll see why the company wanted to keep them under wraps. According to the unredacted notes from one meeting, Jeff Bezos directed his team to stuff more ads into search results, even if it meant accepting more ads internally categorized as irrelevant to what users were looking for. Read more
The U.K. Publishers Association (PA) was established in 1896 and is a cornerstone of the British publishing industry, working with a diverse array of companies to promote innovation, collaboration, and commercial success. Read more
With English as a shared language, there is a natural relationship between the American and British publishing industries. Most of the world's top publishing companies, be they conglomerates or independent publishers, have operations in each country, typically in New York City and London. Literary traffic travels both ways across the Atlantic.
The UK is experiencing a boom in book clubs, according to new data from event listing companies.
Book club listings on the ticketing site Eventbrite increased by 350% between 2019 and 2023 - a "much stronger" growth than the overall increase in UK-based listings over the same period. Between 2022 and 2023 alone, book club listings on the site rose by 41%. Read more
"We don't understand the consequences of AI with regards to copyright," Brazil's Karine Gonçalves Pansa, president of the International Publishers Association (IPA), said, when asked to name the most important issues facing publishing right now. "We can say, very easily, that our content is being used, without permission, and without license, by AI."
'Writing isn't generally a lucrative source of income; only a few, exceptional writers reach the income levels associated with the best-sellers. Rather, most of us write because we can make a modest living, or even supplement our day jobs, doing something about which we feel passionately. Read more