Over the past two weeks, writers and publishing professionals have been riveted by coverage of the trial in which the U.S. Department of Justice is attempting to block Penguin Random House's purchase of Big Five rival Simon & Schuster. Read more
Six months ago, independent publishers Jacaranda and Knights Of were warning publicly that their income had fallen to almost zero. They weren't the only small publishers struggling. With bookshops and distributors closing, a survey from the Bookseller at the time found that almost 60% of small publishers feared closure by the autumn. Read more
I pronounced rather grandly recently that smaller publishers are the delicatessens of the publishing world. We don't publish that much but when we do, it stays with the reader and lingers on the taste buds of the creative mind that bit longer.
If you're in any way a member of the independent publishing community (or a former member, or a recovering member, or an aspirational member), welcome. I hope you and yours are staying healthy and staying home, if able.
A significant proportion of the UK and Ireland's smallest independent presses say their businesses are at risk as a result of the coronavirus lockdown, having seen sales plunge and cash quickly run out. Read more
Paul McVeigh and Kirsty Logan are authors you may have heard of. Both of their debuts were published by Salt, an independent publisher. Paul McVeigh's The Good Son was shortlisted for a bunch of awards, and won the Polari first book prize this year. Read more
"Small presses do take a lot of risks, but talking so closely to John Murray, for instance, they're just as passionate. Yes, they have to factor in a lot more things. They're still taking risks, albeit at a larger scale. There are mainstream presses doing the same thing and publishing new authors, which is great." On seeing The Loney's success, he says: "We have very mixed feelings. Read more
In honor of last month's National Poetry Month, Krystal Languell interviewed 11 poet-publishers for Literary Hub, asking them what it takes to run a small press.
Some highlights:
How many hours per week do you work for small press(es) or other poetry organization(s)? Of those hours, how many are paid? Read more
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more
Open to unpublished and unagented writers from around the world.
No entry fee
Prize:
Prize of £3,000; publication with Tortoise Media; literary representation by RCW literary agent Laurence Laluyaux and other prizes
Fern Press and How to Academy have partnered on a new essay award worth £3,000, in association with Tortoise Media, for unpublished authors.
Fern Press was launched by Vintage last year, while the annual non-fiction essay prize is "for those working at the frontier of creativity and thought", organisers said. Read more
It's not a pretty word, 'blurb'; it smacks of nonsense, or slightly less than entirely honest marketing. Which is unfortunate, because a blurb is a useful and necessary thing; without it, your book is at risk of being a blank text, what you might call a closed book. Read more
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there"... Writing in lockdown, 'So that was a bit of freedom in a way, I didn't have any expectations almost.
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there". Read more
Waterstones managing director James Daunt said social media is reinforcing the reading of "proper" paper books among young people.
Mr Daunt, who is also chief executive of Barnes & Noble, said social media trends such as 'BookTok' on TikTok had been "hugely positive", as he was made a CBE for his services to publishing by the Princess Royal.
A new generation of romance novel consumers has moved a long-standing three-way conversation between reader, writer and publisher onto social media, industry insiders say, speeding up an already fast-moving segment of the publishing world.
When you are next visiting a bookstore, and find your way to the children's section, you might be forgiven for thinking that there is no longer such a thing as a children's author. Instead, you will be ambushed by piles of books blazoned with the names of actors, singers, comedians, DJs and people who generously exhibit themselves on social media.
A federal judge in California this week dismissed four of six claims made by authors in a now consolidated lawsuit alleging that Open AI infringes their copyrights. But the court gave the authors a month to amend their complaint, and the suit's core claim of direct infringement-which Open AI did not seek to dismiss-remains active.
For budding authors, the submissions process can be daunting. For anyone with little understanding of the publishing industry and how it works, it can be even more so. And for anyone whose writing sits outside of the established ideas of genre, style or content, it can be utterly baffling as to how to present that to an agent or publisher.
'For me, writing [was] a question of survival...I could not trust anyone, even my family. The atmosphere was so poisoned. People even in your own family could turn you in.'
Children's creativity
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more