Genre writing

With the hindsight of history, the Booker misses plenty of tricks. In 1986, The Handmaid’s Tale, one of the most vital and prescient works of modern fiction, was pipped to the prize by Kingsley Amis’s The Old Devils. With Margaret Atwood now elevated to the status of a contemporary prophet, 2019 may have seemed like an opportunity to redress that mistake.  Read more

Twenty years before Peter Handke would become a Nobel laureate, he won another title. In 1999, Salman Rushdie named him the runner-up for "International moron of the year" in the Guardian, for his "series of impassioned apologias for the genocidal regime of Slobodan Milošević". (The winner was actor Charlton Heston, for being a gun lobbyist.)  Read more

Seamus Heaney was real. Were he a fictional character, however, we likely would call him unrealistic, his life story and his career too good to be true. Like Robert Frost and W. H. Auden, but perhaps with fewer missteps and regrets, Heaney became the sort of modern poet whose best-known phrases circulate without attribution.

Is Netflix a friend or foe to the book business? That question was addressed by the Global 50 CEO Talk 2019, which featured a conversation with Kelly Luegenbiehl, VP International Originals of Netflix, hosted by publishing consultant Ruediger Wischenbart and with the editors of global trade journals.

Julia Wisdom, publisher at HarperFiction, has bought UK and Commonwealth (excluding Canada) rights to Girl A and The Conspiracies in a six-figure deal with debut author Abigail Dean. Juliet Mushens negotiated the deal at a nine-way auction after turning down two "significant" six-figure pre-empts within 48 hours of submission.  Read more