Just before the world changed, about five months ago on February 18th, we wrote in this space about two initiatives that made sense for all publishers to employ to raise revenues and profits. Read more
About 10 years ago, as the anxiety and hype around digital publishing began to build, I had a lot of conversations about the future. Publishers looked up from the constant churn of new books and projects to examine the far horizon. Big, existential questions were raised and, at least in part, addressed. Read more
I am returning this September to speak at Digital Book World, a conference I helped to found and then programmed for its first seven years. (One motivation to go back is to promote my new book.) The occasion calls for some reflection. DBW itself has changed, having passed from book publishing company ownership to tech-information company ownership. Read more
Publishing panels can be a bit stuffy, but that was far from the case at the latest PubTechConnect event, "Book Lovers on the Internet: Connecting with Readers in Digital Ways," held at New York University on June 12. Read more
In a focus session on "Digital Transformation and Disruption in African Publishing" at the International Publishers Association‘s (IPA) "Africa Rising" seminar in Nairobi, hosted by the Kenya Publishers Association, two panelists will have the same last name-and almost the same face. Read more
The media and entertainment industry has a long history of embracing disruptive innovations, from the printing press to the personal computer. But the rapid shift from physical to digital over the past decade or so has been truly revolutionary. In general, physical media has suffered a great deal. Read more
JK Rowling notoriously received numerous rejections before meeting her literary agent, and later, publisher. Having stacked up at least 60 rejections in my writing career, I know exactly how that feels.
And while being a novelist recently came out on top in a survey as one of the most desirable jobs to have, it is definitely not for the faint hearted. Read more
The theme of the day seemed to be ‘publishers can and must do more with digital' - whether through integrating it deeper into their business or simply realising that is where their audiences are spending most of their time. Competitor number one isn't another book, it's every other way a potential reader might pass their time. Read more
In his opening keynote at the London Book Fair's pre-conference, Quantum event, Tom Goodwin, head of innovation for Zenith Media, spoke about publishing in what he dubbed "the mid-digital age," the current "interim" period "before things get amazing," when our technology is still too complex-and often disappointing. Read more
In 2012, we launched Thought Catalog Books. With Thought Catalog the website, we mastered producing short-form writing for the web and we wanted a new challenge. We hoped to build a counterweight to Thought Catalog's trendy digital brand with a more contemplative spin-off brand as a book publisher. Read more
‘The thing I like about novels is that they are a more forgiving form. You can make missteps. It's harder to write a really good short story - I'm more aware of the flaws in my short stories.
Michael Morpurgo has denied a Sunday Times report that he "refused" to include The Merchant of Venice in a forthcoming Shakespeare anthology for children due to antisemitism. Read more
Pitching a manuscript isn't for cowards, the thin skinned, or those with no endurance. Believing your project is worthy, truly believing in it, is required, as is the patience of a saint.
Poets & Writers wrapped up its 50th anniversary in 2020 by announcing a $250,000 contribution from Barnes & Noble founder-and longtime P&W supporter-Len Riggio. The donation from Riggio and his wife, Louise, will be used for new initiatives to extend the organization's support of Black and marginalized writers.
George Saunders once said, ‘when you read a short story, you come out a little more aware and a little more in love with the world around you'...but what is the best way to start? Read more
George Orwell died at University College Hospital, London, on 21 January 1950 at the early age of 46. This means that unlike such long-lived contemporaries as Graham Greene (died 1991) or Anthony Powell (died 2000), the vast majority of his compendious output (21 volumes to date) is newly out of copyright as of 1 January. Read more
It might be a picture of gloom and doom for most business sectors in 2020 though surprisingly, the publishing sector has come out unscathed from the vagaries of the pandemic. Sales have largely been positive across all segments of the book industry, which includes printed books, eBooks, and audiobooks.
Open internationally.
Entry fee £28, £25 to subscribers to The North
Prize:
Publication by Smith|Doorstop Books; a share of £2,000 cash; a launch reading; publication in the North magazine; book vouchers from Inpress Books
The 2021 International Book & Pamphlet Competition is now open for entries
Judged by Daljit Nagra & Pascale Petit
DEADLINE: last post on Monday 1st March 2021, or midnight on Monday 1st March 2021 for online entrants.
ENTRY FEE: £28, or £25 for North subscribers, Friends of the Poetry Business and members of the Poetry Society. Read more
'People have many cruel expectations from writers. People expect novelists to live on a hill with three kids and a spouse, people expect children's story writers to never have sex, and people expect all great poets to be dead. And these are all very difficult expectations to fulfill, I think.'
‘When I'm putting together a novel, I leave all the doors and windows open so the characters can come in and just as easily leave. I don't take notes. Once I start writing things down, I feel like I'm nailing the story in place. When I rely on my faulty memory, the pieces are free to move. Read more
‘No one reads your book as closely as a translator does, which is something you learn very quickly. I'm in such awe of them. They also read beneath it and around it. They make me consider things I thought I knew the meaning of because I use those words in everyday dialect and that's how the characters express themselves.
In my latest romance novel, How to Catch a Queen, my heroine finally achieves her lifelong dream of becoming a queen following an arranged marriage-only to find herself in a country where the voices of women aren't respected, and queens are powerless. Read more
'I have to know where I'm going'
‘When I'm putting together a novel, I leave all the doors and windows open so the characters can come in and just as easily leave. I don't take notes. Once I start writing things down, I feel like I'm nailing the story in place. When I rely on my faulty memory, the pieces are free to move. Read more