I do not think it is a coincidence that the novel as a form reaches maturity at the same point as the bourgeoisie as a class are ascendant. Although the novel has its forerunners and predecessors - Boccaccio, Rabelais, Cervantes, de la Fayette - it gets into its stride with affluent, middle-class white men: Richardson, Fielding, Sterne, Smollett.
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