Three famous readers hold immense influence over the publishing industry. Their recommendations can make or break a book-but how do they make their selections, and is their influence waning? Insiders take Esquire behind the scenes.
Managing an author's expectations early on in a marketing and publicity campaign and being upfront with the plan for their book is key to building trust between a publicist and a writer, according to Canongate's communications director Anna Frame.
I have been trying to convince writers of the value of a consistent email newsletter for more than a decade. Recently I dug up a 2014 presentation I gave at the James River Writers Conference, where the first slide says, "Email is not dead." After that slide, I quoted novelist Dana Stabenow, who gave an inspirational talk where she couldn't resist offering a practical tip at the end:
One way to attract and cultivate a loyal audience is by sharing compelling content. The goal is to build a relationship that not only leads to book sales but creates fans that stay with you for the long-term. Content marketing should ideally begin before the launch of your book and continue for as long as you want to grow your author business. Read more
For most readers, acquiring a newly released book means heading to your local bookstore, hitting the library, or logging on to Amazon. For others, however, it involves opening up a thoughtfully designed box that includes a copy of the book, alongside gifted items like a custom tote bag, a scented candle, beauty products, and maybe even a box of tea. Read more
If you had asked me to define an 'influencer' a few years ago, chances are I would have described someone, most likely female identifying, who created beauty, fashion, wellness and lifestyle content on behalf of brands and businesses. Read more
When I was young, in a distant century, there was an odd feature of the literary community: celebrated authors writing essays for magazines or newspaper book sections chronicling the horrors of their tours. Usually amusingly, sometimes just trying to be. Laments about arriving at a bookstore to find many people waiting, but no copies of the book. Read more
Well, friends, it's been another tough year. But as we wind down 2021, it is useful to remember the good parts, the pleasures small and large that got us through. And yes, a beautifully designed book can be one of those pleasures-especially when we're still spending more time at home than perhaps we would like.
‘One person writing in a quiet room, trying to connect with another person, reading in another quiet-or maybe not so quiet-room. Stories can entertain, sometimes teach or argue a point. But for me the essential thing is that they communicate feelings. That they appeal to what we share as human beings across our borders and divides.
A report has found that more than half of children's books published in the last decade with a minoritised ethnic main character were by white authors and illustrators.
The book industry has launched an open letter calling on the government to create a plan to boost reading for pleasure for children across the UK. The letter invited the Prime Minister "to make a cross-government commitment to prioritise the role of reading for pleasure for children", investing in the development of children and the future of the country.
Author Katherine Rundell and Claire Wilson, president of the Association of Authors' AgentsThe association of UK agents. Their website (http://www.agentsassoc.co.uk/index.html) gives a Directory of Members and a code of practice, but no information about the agencies other than their names. The association refers visitors to the UK agent listings from The Writers' & Artists' Yearbook on the WritersServices site. (AAA), have signed the open letter launched by the book industry, calling on the Prime Minister to address the decline in reading for pleasure among children.
'The reason we read poetry is that it has the ability to penetrate both solar plexus and between the eyes, simultaneously, in a way that prose doesn't.'