Publishing Perspectives on how authors now have a second job, one that involves connecting with the media and the masses to first build a platform, and second, make themselves and their ideas “discoverable.”
The days of fat advances and bookstores buying tens of thousands of copies of a single title are gone – enjoyed now only by the lucky few with household names or status. For the rest of the world’s authors — and there are some 300,000 titles published annually according to the American Booksellers Association – the process of publishing has undergone a major change. No longer is the author’s job done when he has delivered something brilliant that can be bound between covers or transmitted to any one of a dozen digital reading devices. Authors now have a second job, one that involves connecting with the media and the masses to first build a platform, and second, make themselves and their ideas “discoverable.”
Techdirt digs deep to dish the dirt on why copyright is limiting the public's access to older works, which highlights the reality of what a copyright is really worth, commercially, and how long it retains that value.
'There is an element of autobiography in all fiction in that pain or distress, or pleasure, is based on the author's own. But in my case that is as far as it goes. My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so, I am a storyteller.'