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How to get editorial criticism

The July extract from From Pitch to Publication by Carole Blake

 

Carole Blake

About Carole Blake

 

Read this now!  It will only stay on the site for one month and will then be replaced by another extract. 

 

'Families and friends can be helpful, but more often than not they will tell you what they think you want to hear.' 

 

'publishers and agents are not welfare organizations: they cannot offer detailed editorial criticism for books they will not publish or represent.'

 

'If we were to prepare editorial reports for the manuscripts we have to reject every day, we would, quite simply, never have time to work for the clients we do actually represent.'

 

 

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There are a variety of ways to obtain editorial criticism before you have an agent or a publisher. Families and friends can be helpful, but more often than not they will tell you what they think you want to hear unless you seriously impress upon them your wish to hear the truth, however unpalatable it might seem.

One suggestion I've already made is to join a writing group. These are numerous: local groups, groups organized by a local education institute or library, or groups that operate by mail. These days there are also a number thriving on the Internet. Reference books, your local library and fellow writers are the starting points. It is essential to remember that you only get out of these what you put in. You must be prepared to read and criticize others' work, and you must have an open mind about the comments you are likely to receive on your own work. Plus you should be prepared to rework your material and submit it again for their comments.

Several organizations will appraise your work, for a fee. The best are those made up of other writers or professionals from the publishing world, preferably those who will have some kind of stake - their reputation, apart from their fee - in your future success. This serves as some sort of guarantee that their advice is impartial and aiming towards helping you achieve your goal of successful publication.

Organizations such as the Romantic Novelists' Association, The Society of Authors or The Writers' Guild will admit you as a member (so long as you qualify for membership), and some run manuscript appraisal schemes. Those that do not will at least introduce you to other writers who may be prepared to read and comment on your work. A professional such as a publisher's editor (who is always working towards the goal of publication) and an agent (whose goal is to achieve a saleable manuscript) will have more at stake when offering you editorial criticism than someone who only prepares a reader's report on your work. Beware of organizations whose reputations you are not sure of, who exist only to appraise manuscripts: their only interest may lie in writing, and charging for, the largest number of reader's reports.

As I've said before, publishers and agents are not welfare organizations: they cannot offer detailed editorial criticism for books they will not publish or represent. Nor can they be expected to become a referral service if they cannot accept the manuscript themselves. No agent can ever be aware of the level of work or the balance of the lists of others and so cannot, and probably should not, offer suggestions of agencies more suited to your material. It would be better for you to do your own homework via a directory of agencies and a number of telephone calls.

If we were to prepare editorial reports for the manuscripts we have to reject every day, we would, quite simply, never have time to work for the clients we do actually represent. It is sometimes possible to offer a few comments to those we reject, but this is not an invitation to enter into a lengthy correspondence or a meeting to discuss the comments.

 

                                                      Copyright © 1999 Carole Blake

 

 
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