We represent literary fiction, quality commercial fiction, thrillers, suspense, children and young adult fiction, biographies and a few non fiction works.
We don't represent horror, Sci Fi and poetry. Read more
Our agents work with literary and commercial fiction, women's fiction, science fiction/fantasy, narrative non-fiction, history, memoirs, biographies, psychology, science, parenting, cookbooks, how-to, self-help, business, finance, young adult and juvenile fiction/non-fiction and picture books. Read more
Our client list is currently full. However, if you have a project that you feel is absolutely a fit for one of us, or questions concerning our clients and their rights, we can be reached at the addresses show. Read more
Fiction, non-fiction, children's, biography, travel. Full-length MSS (home 12%, overseas 20%), short MSS (12%/20%), film and radio (15%/20%), TV (15%/15%). Will suggest revision.
Authors include Charlotte Bingham, Terence Brady, Peter Willet, and the Estate of John Bingham.
The Rees Literary Agency was founded in 1983 by Helen Rees. The agency represents a wide variety of authors, including Jack Welch, Alan Dershowitz and Siobhan Fallon.
We represent the following genres: literary and commercial fiction, memoirs, history, biography, business, self-help, psychology, and science. Read more
Rocking Chair Books is a literary agency focusing on literary fiction, upmarket commercial, and commercial fiction and general non-fiction for publication around the world. Our motto is a great story is a great story.
No reading fee.
We represent Brian Turner, Zena el Khalil, Lakambini Sitoy, Conflict Relief, Elle Symmonds.
Literary and commercial fiction, narrative non-fiction, memoir and biography, self-improvement/how-to but see website for latest submission guidelines. Read more
'I was trained by poetry where you can just write ambience and atmosphere. But in a novel, if there's not a story that people are interested in, with characters that they care about, they'll close the book.'
In the third in a series on the implications of AI for publishing, Nadim Sadek argues that effective advertising is now feasible for everyone, and for all kinds of titles
A publishing friend of mine recently told me about a sales report they'd received from a major retailer in which some of their books had zero sales. It turned out that there had been plenty of sales, however-they just all went to counterfeiters. In case you think this is an outlier, it's not. Counterfeiting is a serious, nontrivial problem facing the industry.
If you read the recently unsealed materials from the federal antitrust lawsuit against Amazon, you'll see why the company wanted to keep them under wraps. According to the unredacted notes from one meeting, Jeff Bezos directed his team to stuff more ads into search results, even if it meant accepting more ads internally categorized as irrelevant to what users were looking for. Read more
The U.K. Publishers Association (PA) was established in 1896 and is a cornerstone of the British publishing industry, working with a diverse array of companies to promote innovation, collaboration, and commercial success. Read more
With English as a shared language, there is a natural relationship between the American and British publishing industries. Most of the world's top publishing companies, be they conglomerates or independent publishers, have operations in each country, typically in New York City and London. Literary traffic travels both ways across the Atlantic.
The UK is experiencing a boom in book clubs, according to new data from event listing companies.
Book club listings on the ticketing site Eventbrite increased by 350% between 2019 and 2023 - a "much stronger" growth than the overall increase in UK-based listings over the same period. Between 2022 and 2023 alone, book club listings on the site rose by 41%. Read more
"We don't understand the consequences of AI with regards to copyright," Brazil's Karine Gonçalves Pansa, president of the International Publishers Association (IPA), said, when asked to name the most important issues facing publishing right now. "We can say, very easily, that our content is being used, without permission, and without license, by AI."
'The difference between the almost right word and the right word is really a large matter. 'tis the difference between the lightning bug and the lightning.'