Part of the perennial fascination of the publishing business, for any book lover, is the ringside seat it provides at the creative process. How and why was that book written? What made it such a success/failure? What was its reception? Did reviews make a difference? Following the money: how did it sell? What did it earn? Dip into a publisher's letters and memos and you get a backstage pass to the sometimes mysterious process that creates literature. Thus the appeal of the Faber correspondence.
Lunch with Mr Eliot and Kazuo Ishiguro with a guitar: untold tales from a lost literary Britain | Books | The Guardian
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